A Quote by Dennis Lehane

I was not going to use writing for advertising or journalism. I would tend bar, load trucks, chauffeur - do whatever it took. But from the moment I took my first writing workshop, I was a writer.
I've taken every writing class I've had available. I took classes in high school, and I took English and writing classes in community college, but I dropped out of college. I also attended a local writing workshop two years ago.
After finishing my undergraduate work at the University of Iowa, where I took creative writing classes taught by Writer's Workshop students, I applied to half a dozen MFA writing programs.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
I have always enjoyed literature classes, and I took a fiction workshop for writing and analyzing at Curtis... I don't know if would do it professionally, but it's nice to have the balance with the music.
I was a 'learn by doing' writer - I never took any formal writing classes. So it took a long time to figure things out and find my voice.
When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
Freedom begins the moment you realize someone else has been writing your story and it's time you took the pen from his hand and started writing it yourself.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
I've been writing fiction as long as I've been writing poetry. It's just that the poetry took off, and it took me a lot longer to figure out how to write a story.
Well, my background is journalism. I don't have any creative-writing experience except for one class I took as a sophomore in college.
The key thing in my becoming a writer was going on a Arvon Foundation residential writing course. I took with me a really messy twenty thousand words of something that later became After You'd Gone, my first novel. My tutors were Barbara Trapido and Elspeth Barker.
When I took over the Writers' Workshop, it was one little class and there were eight students. All of them, brilliantly untalented... I had an absolute vision after the first workshop meeting.
I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.
When I went to college I took a creative writing class and decided in a week to be a writer.
I was a sound engineer, and all of these gurus and shamans would come, and I would record the workshops they were teaching. And I took part in a shamanic journeying workshop, and this woman leading the workshop had brought Ayahuasca, which is a Peruvian hallucinogen and contains DMT.
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