A Quote by Dennis Lloyd

I signed at Sony and suddenly they've started to take an interest in Israeli musicians and to listen more, and I send them stuff. It's very important for me to open that window for Israelis.
We are meeting with Sony, and we have a couple of other labels that suddenly have interest and that's really great because none of them have actually heard our stuff.
It was tricky [to write about Israelis], because everyone has an opinion about the Arab - Israeli conflict, and when I first started writing these stories, I was working for an Arab - Israeli human rights group. It was during the Second Intifada. It was this totally violent and intense time, and I think there's a part of me where I don't know how to write about that situation without getting my politics out of my messages, and that's something that was important for me not to do in this book.
When I come to the airport, they always send me with all the other Israeli Arabs to the foreign workers' line. I don't mind. I feel like I belong more with all the people from abroad and the foreign workers than in the Israelis' line.
I do listen to more jazz and gospel than anything else, but my ears are still very much open and listening to stuff that comes out. And a lot of times my kids turn me on to stuff.
So I'm leaving Sony, a free agent, owning half of Sony. I own half of Sony's Publishing. I'm leaving them, and they're very angry at me, because I just did good business, you know.
The [Israelis] believed - they were possessed of an absolute certainty and conviction - that 'terrorists' were in Chatila. How could I explain to them that the terrorists had left, that the terrorists had worn Israeli uniforms, that the terrorists had been sent into Chatila by Israeli officers, that the victims of the terrorists were not Israelis but Palestinians and Lebanese?
I started with me as Awkwafina reciting 'Othello' monologues, and I'd send those to my friends. It started like that, and then it went into more music-y stuff.
I definitely have a strong sense of my Jewish and Israeli identity. I did my two-year military service; I was brought up in a very Jewish, Israeli family environment, so of course my heritage is very important to me.
I started making raps in 2014, recording stuff from my iPhone and putting them together in Sony Vegas, which is a video editing program.
If there was genuine desire on the Israeli side, even without a solution, it would be possible to solve a large percentage of the problems between Israelis and Palestinians by means of simple statements from the Israelis.
Fashion is something that brought me closer to my family as I grew up. It's something that was deep inside me, in my roots, and I started taking more interest as I grew older because it reminded me of my mother and my grandmother. It's not something I take lightly, and I'm going to be open about it.
Are you an Israeli? I don't debate with Israelis. I have been misled, sorry. I don't recognise Israel and I don't debate with Israelis.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
At night, I open the window and ask the moon to come and press its face against mine. Breathe into me. Close the language-door and open the love-window. The moon won't use the door, only the window.
The Israeli media are very important to me. I've been part of them and they a part of me all my adult life.
The Israeli military plays more than a critical role in defending the citizens of the Jewish state. It also plays an important social, scientific and psychological role in preparing its young citizens for the challenging task of being Israelis in a difficult world.
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