A Quote by Dennis Miller
There's no doubt about it, show business lures the people who didn't get enough love, attention, or approval early in life and have grown up to become bottomless, gaping vessels of terrifying, abject need. Please laugh.
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My sister was born a couple years after I was, and I realized that I wasn't getting enough attention, as much attention as I used to before she showed up, and then I learned pretty early on that if I could do a silly dance or make grown-ups laugh, then the attention would come back to me, and I would be accepted.
You often hear that people go into show business to find the love they never had when they were children. Never believe it! Every comic and most of the actors I know had a childhood full of love. Then they grew up and found out that in the grown-up world, you don't get all that love, you just get your share. So they went into show business to recapture the love they had known as children when they were the center of the universe.
I love doing [stand-up]. I love making people laugh no matter how. Whether it's a commercial, or a TV show, or a reality show, or a talk show, or a special, or a book. However I can make people laugh, that's what I want to do.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
Prescription for Life-long Happiness: Purpose enough for satisfaction; Work enough for sustenance; Sanity enough to know when to play and rest; Wealth enough for basic needs; Affection enough to like many and love a few; Self-respect enough to love yourself; Charity enough to give to others in need; Courage enough to face difficulties; Creativity enough to solve problems; Humor enough to laugh at will; Hope enough to expect an interesting tomorrow; Gratitude enough to appreciate what you have; Health enough to enjoy life for all its worth.
The people who receive the most approval in life are the ones who care the least about it--so technically, if you want the approval of others, you need to stop caring about it.
That's what YouTube's become, it's become like a lot of vloggers capitalizing on this sort of like "My fans, I love my fans, hey guys." I've grown up and kind of been disgusted by that. I think it's using people, I think it's like encouraging something that's unhealthy, telling people you love them. "I love you." Oh really, you love your fans? You love the people that give you money and attention? Of course you do, that's not selfless that you love your fans, that's ridiculous.
The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
The terrifying thing in my life is that I am just an actress. And I have to keep pushing it and getting approval, approval, approval or I don’t think I’m worth two cents. And I am starting to get over it, thank God. And I’m just sad because I don’t have many years left and I wish I had a longer space of time to think that Elaine Stritch is okay.
When I visit local communities, people often complain that they need the approval of several dozen government departments to get something done or to start a business, and people are quite frustrated about this.
Griffin, please,” she whispered. “Do you want me?” he asked. “Yes!” She tossed her head restlessly. She’d explode if he didn’t give her release soon. “Do you need me?” He kissed her nipple too gently. “Please, please, please.” “Do you love me?” And somehow, despite her extremis, she saw the gaping hole of the trap. She peered up at him blindly in the dark. She couldn’t see his face, his expression. “Griffin,” she sighed hopelessly. “You can’t say it, can you?” he whispered. “Can’t admit it either.
Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.
Living with doubt ... is almost always more profitable than living with certainty.
People don't like doubt, so they pay money and give up opportunities to avoid it.
Entrepreneurshi p is largely about living with doubt. If you need reassurance, you're giving up quite a bit to get it. On the other hand, if you can get in the habit of seeking out uncertainty, you'll have developed a great instinct.
Our show was - it remained - you know, kids could watch it and laugh at it. And they wouldn't know - they wouldn't get the jokes. But they would laugh at it. So they tell me now they have grown up and they're watching it. Now they get the jokes. But we didn't say anything blatant.
I think William Shakespeare's like a passport through your life: as a kid hearing about a play with fairies or witches or ghosts, you get excited by that possibility. Then later on you become interested in the psychology or the politics or the beauty of the language. You grow up with the plays. King Lear is one that I don't feel grown up enough to do yet.
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