A Quote by Dennis Prager
Most evil comes from the belief that one is a victim, or one's group is a victim
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Being a victim doesn't take much. There are built-in excuses for failure. Built-in excuses for being miserable. Built-in excuses for being angry all the time. No reason to trying to be happy; it's not possible. You're a victim. Victim of what? Well, you're a victim of derision. Well, you're a victim of America. You're a victim of America's past, or you're a victim of religion. You're a victim of bigotry, of homophobia, whatever. You're a victim of something. The Democrats got one for you. If you want to be a victim, call 'em up.
A victim is a victim is a victim. We should stop setting up standards that say we will have one standard of law enforcement for one group of victims but not for another.
The Holocaust has proven to be an indispensable ideological weapon. Through its deployment, one of the world's most formidable military powers, with a horrendous human rights record, has cast itself as a "victim" state, and the most successful ethnic group in the US has likewise acquired victim status.
The thing that most people didn't understand, if they weren't in his line if work, was that a rape victim and a victim of a fatal accident were both gone forever. The difference was that the rape victim still had to go through the motions of being alive.
The victim who is able to articulate the situation of the victim has ceased to be a victim: he or she has become a threat.
When you're a victim, you automatically have a built-in excuse for failure. When you are a victim, it's always somebody else's fault. When you're a victim, success is not possible. When you are a victim of something, you are acknowledging that you are as far as you're gonna get, and you can't get any further, because there are more powerful forces arrayed against you than the force of yourself against it.
I think all comedy has victims, really. Even if it's not a victim that appears on camera, usually there's a victim. If it's political comedy, if you're talking about the president or whoever, there's a victim there.
It's very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing... if you begin from the point of view of being a victim, you've got it half-made. I mean intellectually.
If you are not the victim, don't examine it entirely from your point of view because when YOU'RE not the victim, it becomes pretty easy to rationalize and excuse cruelty, injustice, inequality, slavery, and even murder. But when you're the victim, things look a lot differently from that angle.
The most resonant crimes are the ones in which the victim is most innocent, or perceived as innocent. Blaming the victim is tempting; it offers an out.
Every third person in the world is a drama queen. And crying 'victim,' especially when you're not really a victim in any real way, feels good. It feels good to cry victim if you're not one.
I was a victim of what most people are a victim of, which is really, really just gulping down what was being fed to me by the media.
The main difference is, in 'Cold Case,' the victim sometimes had been dead for decades - you didn't have the advantage of being able to interview the victim. You had to piece together the circumstances surrounding the crime from witnesses and other evidence. 'SVU' is much more immediate in that you can talk to the victim.
For any victim, particularly us Americans, it is difficult to see ourselves through the eyes of our offender. But for any victim it is the most salutary thing to do.
When a crime is committed, only the victim and the victim's close circle experience the event as pain, terror, death. To people hearing or reading about it, crime is a metaphor, a symbol of the ancient battles fought every day: evil versus good, chaos versus order.
It is very tempting to take the side of the perpetrator. All the perpetrator asks is that the bystander do nothing. He appeals to the universal desire to see, hear, and speak no evil. The victim, on the contrary, asks the bystander to share the burden of pain. The victim demands action, engagement, and remembering.
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