A Quote by Dennis Quaid
When I get a script, it's the only time that I get to be an audience member with the first-time experience of that movie. That's the first and only time.
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I try to get in quiet time and book time, but really, the only time I ever get that is when I'm on an airplane - I have a fear of flying, but I actually love flying because it's the only time I can sleep, and it's the only time I get to read.
I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people.
I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.
Small screen or big screen my job on set doesn't really change. The only difference with TV is I get to be surprised with new information just like the audience every time I get a script.
You see something for the first time, you experience something for the first time, you feel something for the first time, it's much harder. I think that it's painful, but at the same time I think it should be the way to experience the world.
In improvisation, there is only one time. This is what computer people call real time. The time of inspiration, the time of technically structuring and realizing... the time of playing it, and the time of communicating with the audience, are all one.
You come back with an actor for the second time only when you had a successful and creatively satisfying experience the first time round.
Hockey is my first love, and I devote most of my time to hockey only. But if I get time, I won't mind working in films, too.
The trouble with everything, these days, for me, is time. There is only one me. There are a ridiculous number of demands on my time. There are so many things I'm trying to do. It's so much more about when I'm going to get time to do it, if I get time.
I still can't quite believe it. Although there was something about the fact that it was a first-time writer, a first-time producer, and a first-time director all at the same time.
You can learn a lesson the first time, when it's presented in a package that is joyous - or at least palatable. But if you don't learn the lesson the first time, then there will be a second time and a third time. And each time it will just get harder and harder.
You can only get to a certain point when you feel confident with the simulator and it always changes when you get to the track and you actually drive it for real for the first time.
I'm from Philadelphia, and I go to Philly a bunch throughout the holidays, which is my only time to see my family, so we get pretty festive around that time of year. It's also the only time I have vacation.
The first time I went to the Met Ball, I was 16. I was an intern there and saved up to buy a staff ticket to the party. That was my favorite experience going. It wasn't the red carpet; it was the experience of being there for the first time.
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