A Quote by Dennis Wilson

I made a dollar a day sweeping a laundry out. Then we made a record that was number two in Los Angeles. We got so excited hearing it on the radio that Carl threw up. — © Dennis Wilson
I made a dollar a day sweeping a laundry out. Then we made a record that was number two in Los Angeles. We got so excited hearing it on the radio that Carl threw up.
It's just dumb: how you can have the number 1 record in Los Angeles and not have the number 1 record in New York? It's crazy.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
When people get their mind made up about something, then it's: 'Don't bother me with facts.' They've got their minds made up and dismiss you out of hand. Some people don't even give you a fair hearing.
Hearing the Beastie Boys speak out against sexism made me feel like if these men who had once sung about getting girls to 'do the laundry' and 'clean up my room' could understand, maybe the rest of the world would follow suit. It made me hopeful in the best way.
I made two or three albums with money from my own pocket, but I couldn't get them released or played on the radio. I got tired of beating my brains out. I got very depressed. I took a break from the business. Then I got bored with that and had to come back.
Is that a pistol in your pocket or are you just glad to see me? (She made this remark in February 1936, at the railway station in Los Angeles upon her return from Chicago, when a Los Angeles police officer was assigned to escort her home)
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I love London and Los Angeles equally. I was born and brought up London and then I went to Los Angeles as a teenager to stay with my sister Joan. So I feel I belong to both.
I made two rings for myself, and when I was in Los Angeles, I walked into a store called Maxfields, and they essentially bought them off my hands.
Especially in Los Angeles you get attached to these projects and then they lie around and you wait and look for that moment in time when everything just works out - every movie that gets made here in LA is a little bit of a miracle.
Big Star invented a vision of bohemian rock & roll cool that had nothing to do with New York, Los Angeles or London, which made them completely out of style in the 1970s, but also made them an inspiration to generations of weird Southern kids.
Big Star invented a vision of bohemian rock &amp roll cool that had nothing to do with New York, Los Angeles or London, which made them completely out of style in the 1970s, but also made them an inspiration to generations of weird Southern kids.
I grew up in Los Angeles, where long drives on packed freeways make everyone a fan of radio and, particularly, of America's national treasure, National Public Radio.
In Los Angeles, it's like they jog for two hours a day and then they think they're morally right. That's when you want to choke people, you know?
I eventually became an actor, starting with doing stand-up comedy in New York and then theater wherever they would let me. Finally, I moved out here to Los Angeles and got on a show.
This site uses cookies to ensure you get the best experience. More info...
Got it!