A Quote by Denny Hamlin

I have a picture of Texas Motor Speedway with highlighted areas of the racetrack where there are no SAFER barriers - and it's an overwhelming amount of spots. — © Denny Hamlin
I have a picture of Texas Motor Speedway with highlighted areas of the racetrack where there are no SAFER barriers - and it's an overwhelming amount of spots.
The Democratic Convention is $27 million in debt. They had to cancel the kick-off event at the Charlotte Motor Speedway. A speedway is the perfect place for the Democratic Convention. You go around in circles, turn left every few seconds, and you end up right where you started.
I love Lowe's Motor Speedway, that's in Charlotte - that's my favorite track. I love going there. It's fun.
My dad took me to the racetrack for the first time when I was 2 or 3... Anything with a motor, that was in my blood.
My fans are great and amazing, but there's no way all of my fans are going to be able to fill up Bristol Motor Speedway.
I saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other side: Her side attacks. Her secret weapons. Her uncanny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could finally see what was finally there: an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in.
I think we're our biggest competition. I think the racetrack's the biggest competition. If we go and race the racetrack and try to go around the racetrack faster than our competition, then that's the goal. I look at it as a competition between us and the racetrack because it's all about lap time.
We were into the Speedway. We'd take a train out to the Speedway where farmers had flatbed trucks with bleachers on them. They'd park in the infield and we'd sit on those. Our heroes weren't the drivers, they were the pit crews. That's because we were local, and we knew what was going on.
A lot of my family is from Texas, stuff like that, so I was always in Texas, and when you grow up in Texas, around Texas, you want to go to the biggest Texas school, and UT was that.
Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.
I believe that there are barriers, educational barriers, cultural barriers, societal barriers, that are keeping people from accessing the promise of a vibrant free enterprise economy.
I've hit a couple barriers out there on the racetrack growing up. There's definitely been some flak in the way. I've been able to handle that the best I could, ignore it, use that as motivation.
The same areas which are active in listening to music are also active when you imagine music, and this includes the motor areas, too. That explains why earlier, even though I was only thinking of the mazurka, I was thinking in terms of movement.
There's a whole range of areas that we'll be looking at, so I'm not at this very early stage going to specify any particular areas. As you will know, there will be a limit to how far we can go in terms of a formal free trade agreement until we've actually left the European Union. I think there is much that we [with Donald Trump] can do in the interim in terms of looking at how we can remove some of the barriers to trade in a number of areas.
I think there's no question that the barriers, the fences and in certain urban areas, the walls, have had an important effect in terms of increasing the manageability and the security of the border. But in fact as Secretary of Homeland Security General John Kelly acknowledged at his confirmation hearing, walls and barriers alone are insufficient to insure security.
I've got a lot of wonderfully talented, creative directors I've worked with in Texas, but the market we're in, they kind of have to write to that. I think we've done some cool, simple spots. I was very comfortable in Texas, and getting ready to push out into national stuff, try to get to that national-type creative, and then I got sidetracked with this stuff.
I've been offered guest spots on the TV shows 'Walker, Texas Ranger' and 'Martial Law,' along with others.
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