A Quote by Denny Hamlin
I like to get wild sometimes with my shoes, but I don't venture too far out with shoe colors.
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You want to fall in love with a shoe, go ahead. A shoe can't love you back, but, on the other hand, a shoe can't hurt you too deeply either. And there are so many nice-looking shoes.
I like shoes. Always liked shoes. Wanted to be a shoe designer or somebody who made shoes, something in shoes.
I'm a big shoe guy, too. I have far too many pairs. Whenever there's a new style out, I'll text my stylist: 'Can we get a pair of those?'
I have the idea that running shoes are based on a kind of cult idea - that our feet are flawed and we need shoes to correct those flaws. The shoe companies are in the business of selling shoes. But there's no evidence from running shoe manufacturers that they're right. There's no scientific data that running shoes reduce injury.
Boutique hotels are great, but they get too cute. Some hotels have shoe polish. It's like, come on, this isn't 1960. No one's polishing their shoes.
I went to department stores, and there was nothing that I really loved. All the shoes were too complicated, too crazy, too ridiculous, too extreme. The platforms were so high; the shoes were so ugly, covered in crystals and feathers and crap. I just thought, 'Maybe somebody wants a beautifully simple, sexy shoe that they can actually walk in.'
I zoomed in on the shoe department like a blonde homing pigeon. Shoes, shoes everywhere! Ah, sweet shoes. I truly think you can take the measure of a civilization by looking at its footwear.
There are so many types of shoes. There's so many categories, and I really have no idea what type of shoe I need at any given time. And I go in there - I find it a little bit overwhelming. 'Welcome to the shoe store! What are you looking for? Are you looking for walking shoes?' Well, uh, I'd like to have that option. Hopefully, they're adjustable. I mean, I'd like to be able to turn them up to other settings, as well.
I used to get a sort of sociophobia, and I still get it sometimes these days when I'm in a confined space with too many people. It's not like I freak out or anything, it's just that I'm far more comfortable in my own company sometimes than being surrounded by one thousand strangers.
When I was about 14 or 15, and running in a pretty muddy cross country race, one of my shoes stuck in the mud and came off. Boy, was I wild. To think that I had trained hard for this race and didn't do up my shoelace tightly enough! I really got aggressive with myself, and I found myself starting to pass a lot of runners. As it turned out, I improved something like twenty places in that one race. But I never did get my shoe back.
If you put on shoes that are too tight and walk out across an empty plain, you will not feel the freedom of the place unless you take off your shoes. Your shoe-constriction has you confined. At night before sleeping you take off the tight shoes, and your soul releases into a place it knows. Dreams glide deeper.
'Wild Hope' just felt like such a selfish venture to me. It was a way for me to get out of my head, get some clarity on certain situations, and finally be a part of something that I was completely behind creatively and proud of.
I'm a giant person. I can't go and buy women's shoes in a shoe store. I don't even go in the shoe section because it just breaks my heart because the shoes are so beautiful, but they don't fit me.
I really had no great love for shoes. I was a working First Lady; I was always in canvas shoes. I did nurture the shoes industry of the Philippines, and so every time there was a shoe fair, I would receive a pair of shoes as a token of gratitude.
I like the new shoe designers. Not all of them - there are really bad ones too. But I go to the colleges with these kids for lectures, as an honorary professor or whatever, and this Chinese girl I like very much who I give the award to says to me, "You don't know how much you inspired me to do shoes." And I'm glad that I convey that kind of desire to people when they see my bloody shoes.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
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