A Quote by Denny Laine
I wrote 'No Words' and 'Mull of Kintyre' with help from Paul. He was always like a big brother to me and a strong influence on my songwriting.
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'Mull of Kintyre' was the biggest single of all time up until 'Don't They Know It's Christmas' by that big charity.
My father was a big influence. He kept telling me to pursue football, always. He always encouraged me and my brother.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'
Paul had an almost missionary companion. His name was Demas. Paul wrote his entire history in nine words. He says: Demas has forsaken me, having loved this present world.
Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.
I like the songwriting. I don't ever listen and then go back and change stuff. For me when I wrote the song, it's always really fun and exciting.
I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
Wilfried is a very good striker who is strong and intelligent - he talks to me all the time and advises me. We sit together in the dressing room and he's like a big brother to me.
A pretty pivotal moment for me was having a songwriting class with Paul McCartney when I was at LIPA, and then being called in a few days later by the headmaster of the school to tell me that Paul McCartney likes what I'm doing.
Prince Paul is another good friend; he's like an older brother. He'll criticise and be brutally honest with you. That's what I like about Paul.
It's not a lot, but we have 8,000 people following us. I get the biggest kick out of it, to hear words that I wrote and chords that I wrote being sung by somebody else. It's a true honor, and it might sound intense, but it's one of the most rewarding parts of the songwriting experience.
It's deeper than the music when it comes to me and Mustard. He's like a big brother, and I'm so thankful to have a mentor like him to advise me. Even though he gives me a lot of creative control, I always go to him like, 'Do you like this?' It's so cool that it's always a collaborative effort. He never makes me feel pressured or anything.
I'd heard of the name 'Big Brother' before. I didn't realize that it was on TV for 20 years. My manager told me, ''Big Brother' wants you.' I said, 'I don't feel like watching it, and I don't know what I'm getting into.'
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."
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