A Quote by Denny Laine

I really like to do small venues. They're more intimate. — © Denny Laine
I really like to do small venues. They're more intimate.
You know, I play in small, intimate venues; I'm not an arena performer.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes.
There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but you gain this sense of camaraderie in the audience.
I really like small, intimate shows, but there's nothing like playing at a festival. It's a completely different experience. Everyone is just a little more primal; they can get away with more things.
I love the intimacy of small venues, I really do, I like that look that people have that they feel like they're special and they can hear and they can see the band as well.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
When I can do an acoustic set, I can sit down and sing. And then when I have a huge arena full of people, there's nothing like that. It's the coolest feeling in the world, but I also like to play small intimate shows because I feel you can connect a little more. And that's something I had to learn - how to connect to a big audience versus the small one.
Americans are opting out of public venues like the playground and the sidewalk for private venues like the healthclub and the mall. We're living our lives inside one form of corporation or another.
We wanted to incorporate lights and the like to really accentuate the music. We play mostly small venues, so we don't use it overboard by any means. The most important thing is the music. I think we do a good job of letting that show.
A small venue is so much more intimate and loose. You can actually be more spontaneous, I feel.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
I like going to Japan where they treat it like a real sport. I like doing the entertainment stuff with the WWE. I really like doing the small venue stuff, like Ring of Honor, because everything is so intimate. There's different feelings and different experiences, and you have to be good at different things to do all of that.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
Being on film is forever. Television, as well, just lives on and on and on, which is really exciting. But then with theater, it's like an experience. You have to be there that one special night that was like that to see that one performance that was really remarkable. It's more intimate as well. So I like them both.
There's something actually more intimidating about playing a small, intimate room. Your mistakes are that much more under the microscope.
This site uses cookies to ensure you get the best experience. More info...
Got it!