A Quote by Denny Laine

Tribute bands have kind of taken over the market, and I don't want to come across as being that. — © Denny Laine
Tribute bands have kind of taken over the market, and I don't want to come across as being that.
I can't stand tribute bands. It's nice, bless 'em, but it's not right. They can't capture the right spirit. You never see a tribute comedian, a tribute Les Dawson.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
When you look at bands like Take That, who have come back bigger than ever, you can see there will always be a market for good pop bands.
One of my initial memories of being taken over by music was watching Paul McCartney on TV play a tribute to John Lennon. He was playing piano by himself and singing 'Imagine,' and I remember feeling an anxiety and shortness of breath.
I want to be able to shoot laser beams out of my hands at people. That's the kind of stuff that you think all bands should do, but they don't, and I can't understand why most bands don't want to do it.
I met the most extraordinary people all over the Pacific, but especially the people in Vanuatu who, in a material sense, are the poorest people I've ever come across. They own nothing, but in a well-being sense, they are easily the wealthiest people that I've come across.
Not everyone is going to love you. Not everyone is going to like what you do, and you see a lot of people don't want to let go of the bands that they love. They don't want to move forward. They don't want to let new things come in; they're scared of change. They're scared of new bands taking over their genre. They're just scared of change.
Christian musicians today, minus about ten bands, have never had to fight to be accepted or heard like general market bands have to make a living. It's just overlooked that the Christian market is safer and more lucrative, but requires musicianship that applies to the lowest common denominator.
It's a funny thing because it's what the people say when they come across a ghost situation is that it does freak you out, but then you do get over it - for some reason you're not scared to come across it again.
The market literature, which was particularly strong in Igboland, in Onitsha, today it is no longer strong. It is one of the victims of the civil war, that market was actually destroyed and at the end of the war a new Nigeria has struggled to come into being and I believe that what is probably going to replace the market literature might be the video, which they have taken to in a big way, creating dramas. So that may be the next thing way we will see coming out of the local basic level in our society.
I want to see one of my products being taken by people across the world. I want to see them improving and leading a better life. It's like playing God.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
I know that we're being inexorably taken over by the Americans. Without a doubt. I don't mean invaded or anything like that, just taken over. By degrees.
I want to build friendships. I want to come across as being a good illustration of what Jesus is like.
A lot of girls are open and willing to do whatever for whatever and don't realize that you do have control over your image and how you come across, and if you don't speak on it you will get taken advantage of and that's what they'll assume you're down to do.
I know, being a band that's mostly gay and has women in it, I just think that there are the male icon bands: they are always - and they deserve it - but they are always touted as, 'These guys are heavy-duty.' I think bands, because we have a sense of humor, we are not always taken as seriously.
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