A Quote by Denrele Edun

I want a woman who can go to the saloon with me, not hypocritical, fame seeking — © Denrele Edun
I want a woman who can go to the saloon with me, not hypocritical, fame seeking
The process of seeking fame is a process of seeking dehumanization. You are looking for it. You want it. But you only want the good parts of it. You want the part where people see you as just a collection of positive things and nothing else.
I was young and irresponsible, a silly woman laden with sin, not caring for anything except fame and fortune and self. But I have lived seeking truth in Jesus Christ and found it has made me free.
If I had to choose between putting a saloon or a liberal church on a corner, I'd choose the saloon every time. People who drink up the pay check in the saloon are less likely to become Pharisees, thinking that they don't need the Great Physician, than those who weekly swill the soporific doctrine of man's goodness.
Seeking you go astray seeking you go in dreams seeking you go somewhere else and truth is here. Seeking, you go then; and truth is NOW
I was seeking comic originality, and fame fell on me as a byproduct.
It's important to be driven and have goals. You want an independent woman who knows what she wants and isn't afraid to go after it. It's attractive to me when a woman is doing what she loves. It makes me want to know more.
If I were to go the major route, again, attention would probably be the first and foremost. You want attention, you want support, you want to be treated properly, and I don't wanna have to go anywhere and teach people how to treat me. As far as money, acclaim and fame, those things are a plus - accolades - they're all great.
My money buys me the freedom not to be a member of the corporate structure. And I certainly don't feel guilty or hypocritical about that. The way our economy is set up, if you don't want to be a corporate moron and you don't want to be enfeebled in the streets, you must earn enough to know that you'll never have to go to them for money.
Fame was never something I was seeking in my artistic journey. It's to be used as a tool for an artist to break open doors and keep creating. That's how I enjoyed fame in '74; it was not just for the emptiness of being famous.
I never considered acting while growing up. I just knew I didn't want to go into the saloon business: I wanted to get away from Kenosha. And once I left, never, ever did it cross my mind to go back. I went to college and thought I'd study law.
I'm not one of those people who as a writer lets my characters tell me what they want to do or call to me or seek me. I go seeking for things, using them as an agent, really.
I think if you're fame-hungry, go out to a nightclub and get drunk... why do that? I don't understand how some people would want fame so bad that they'd go out and get negative attention to earn it.
There's nothing ever monetarily or fame-seeking or any of the other motivations that sometimes go hand-in-hand with this profession. To me, it's just not like that. I'm on a journey of self-discovery and trying to avoid total existential crisis. That's the kind of operating zone that I'm approaching this business from.
I want that Sinatra type of fame. It's not the 'Whoever's the hot pop star at the moment' fame. It's the 'Walk into a room and everybody just kind of politely nods their heads' fame. Sinatra fame.
I mean, in my - and I'm not trying to do spilled milk, but in those days it was a little - I think it was much tougher, because you got an image, and you were in a saloon. And it was tough to come out of a saloon and to get in films, and to maintain an image, you know.
Sometimes along the way in my life I don't want a smart woman right now, I want a dumb woman. But then you think, that doesn't work, now I want a smart woman. Then you get a smart woman and you go no, that doesn't work so it's just killing me right now.
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