A Quote by Denzel Curry

I've seen a lot of people come out of Carol City, but I had this distinct vision for Carol City, just me coming out of there, because my music is so different from anybody else who came out of there.
Growing up in Carol City, it was always a creative place for me to be because it was mad influential, especially going to Carol City High.
Carol City has its hot moments, and it has its cool moments. If you were from one area of Carol City, people didn't mess with you.
People would get Carol Burnett and Vicki Lawrence all mushed together in their brains, and, bless their hearts, it would come out Carol Lawrence.
I come from Carol City. The city renamed it Miami Gardens.
I would just say there are no two roles that are more demanding than Bob Dylan of 1966 [Blanchett's role in 'I'm Not There'] and Carol Aird of 1952. I challenge any director out there to come up with a wider divide. I had to convince her to take the Dylan role, and that took effort. But with 'Carol,' she was already attached.
The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out.
I just want to build awareness for my city. But if it wasn't for Carol City, I wouldn't be the person I am today.
Continuity was the kind of place where anybody who came into the city from out of town to deliver some work could come over and hang out and we'd go down and have a few drinks.
Houston is just where the whole swag comes from, the culture. We have some of the most legendary groups and people coming out the city. I know I have big shoes to fill because these people are legends. I don't want to disappoint the city.
There's a lot of haters in Philly, but it's a lot of people that give you support - but way more haters. It's definitely a great city to be from. But it's not really a lot of people that come out of there. So when you, like, make it out of Philadelphia, everywhere else is easy.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
I was very young when 'The Carol Burnett Show' came out, but that kind of comedy and the spontaneity of her, I think it really deeply affected me within just the joy of performance.
My name at birth was Carol Joan Klein. It would take me five decades to appreciate my surname and the history that came with it. Along the way, I would add an 'e' to Carol and acquire several more surnames.
I think the people here in New York appreciated what I brought to the table, and they showed it when I retired by the way they came out and supported me, and it meant a lot to me. It made me feel like I am a part of this city, and I will remain a part of this city.
L.A. is a big city that has a lot of music in it but is not necessarily known for it. A lot of musicians got lost in that. You can make a living; you can gig a lot within the city and never get out of it. That was something that me and my friends, our generation, were afraid of happening to us.
I had a mild case of polio - not enough to put me in an iron lung, but enough to keep me bedridden for weeks. As I came out of it, my mom wanted to do something for me. She realized that, growing up in the city, I'd missed out on a lot of nature.
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