A Quote by Denzel Curry

I want to master every style of music. I want to master every way of performing. I want to master every artsy music video style and just be the greatest of all-time. — © Denzel Curry
I want to master every style of music. I want to master every way of performing. I want to master every artsy music video style and just be the greatest of all-time.
I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket.
I want to do everything related to music. Every genre, every style I want to compose.
The real master is only a presence. He has no intentions of being a master. His presence is his teaching. His love is his message. Every gesture of his hand is pointing to the moon. And this whole thing is not being done, it is a happening. The master is not a doer. He has learned the greatest secret of life: let-go. The master has drowned his ego and the idea of separation from existence itself.
For a master, the rewards gained along the way are fine, but they are not the main reason for the journey. Ultimately the master and the master's path are one. And if the traveler is fortunate - that is, if the path is complex and profound enough - the destination is two miles farther away for every mile he or she travels.
I want stuff to play as wide as possible. I want to be able to see... if I could play the whole thing in a master and it could be compelling enough, that'd be great. Then it simplifies my day, it simplifies life for the actors when you could just focus on that. But by the same token I don't want to be forced into coverage. So I want it to be as good from every angle and I need to get as many of the kind of shadings that I want from every angle.
I don't want to be jack of all, master of none. I want to focus completely and excel as an actor with every project.
So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
Master your instrument. Master the music. And then forget all that bullshit and just play.
A beginner cook is going to have to be patient to really learn well. When you start to beat your master, that's when you're really starting to master the thing. But it's going to take a while. After that, you have to define what you want to be, who you want to be, where you want to be.
Every master has but one disciple, and that one becomes unfaithful to him, for he too is destined for master-ship.
In terms of tackling different subjects, I can't really think of anything I wouldn't want to try; that's the fun of it right? Each new style brings new challenges - not that you shouldn't focus on one and master it, but it takes so long to make a film, you just want to have some variety.
To follow the path look to the master follow the master walk with the master see through the master become the master.
Being a mathematical genius doesn't do you any favors as far as having something to say in music. You see every style as equal, and you want complicated music to devour.
Ah! my friend, for whomever is alone, without a god and without a master, the weight of time is terrible. One must then choose a master, God being out of style.
Some would define a servant like this: 'A servant is one who finds out what his master wants him to do, and then he does it.' The human concept of a servant is that a servant goes to the master and says, 'Master, what do you want me to do?' The master tells him, and the servant goes off BY HIMSELF and does it. That is not the biblical concept of a servant of God. Being a servant of God is different from being a servant of a human master. A servant of a human master works FOR his master. God, however, works THROUGH His servants.
Nothing can be done about it: every master has but a single pupil--and he will not stay loyal to him--for he is also destined to become a master.
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