A Quote by Denzel Washington
You'll see some great performances [in Fences]. And I'm not just saying that because I directed it either! You'll see!
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I signed 'Lucknow Central' because it was a story I wanted to be part of. I still stand by the fact that it was a well written, well directed film with some great performances.
As the skies appear to a man, so is his mind. Some see only clouds there; some, prodigies and portents; some rarely look up at all; their heads, like the brutes,' are directed toward Earth. Some behold there serenity, purity, beauty ineffable. The world runs to see the panorama, when there is a panorama in the sky which few go to see.
It was so satisfying for me - a great reward, just to see it done well. And it was beautifully directed by my daughter Susan Riskin. Imagine, a play about my mother directed by my daughter?!
Even if you see a great performance, it's not always great getting there. There are injuries... Intrinsically or unconsciously, people understand that - people see those performances, and they know there are stories behind that.
You either build up or you tear down. You either keep in the light where you can see, or you stand in the dark and fight everything that comes near you, because you can't see and you think it's an enemy.
It's always fun to see faces that are either familiar or resemble yours. I was fascinated by movies like 'Big Trouble in Little China' growing up because there were so many Asian people in it! The same with 'Year of the Dragon' or 'The Last Emperor'. It was just so great to see so many Asian actors working.
I would love to do more movies. I'd like to get into some theater, too, if I could, just to learn more. I want to do gritty performances that I'm proud of. It doesn't matter to me if four people see it or millions of people see it, as long as I perform in such a way that people go, 'Wow!
I would love to do more movies. I'd like to get into some theater, too, if I could, just to learn more. I want to do gritty performances that I'm proud of. It doesn't matter to me if four people see it or millions of people see it, as long as I perform in such a way that people go, 'Wow!'
I think love is blind. You don't see it; you don't hear what people are saying or what you're saying. You don't see what you're doing. All you see is the person in front of you. That's it.
I think love is blind. You don't see it, you don't hear what people are saying, or what you're saying. You don't see what you're doing. All you see is the person in front of you. That's it.
To get closer to Truth and Right, we need a beautiful and soft heart. Every human learns one day or another to become softer. Some accidentally, some because of disease, some suffer from human loss, some other from material loss ... We all face these situations, but we can either see the good in it and open our hearts, or unfortunately see an another occasion to lock it forever.
I never thought I would see it. I’m not saying it’s not possible. I’m not saying it didn’t happen. I don’t know. There’s a lot of guys getting picked on (in the locker room). Some handle it well, some don’t handle it as well. I’m not saying it’s right, and from a locker room sense or from a team sense, I’m not saying it’s wrong. It’s just the way it is.
There are some movies that deserve criticism. They want people to know that it's a great dramatic accomplishment and has some great performances in it. But, c'mon. Yes, you will have some fun if you go see 'Snakes on a Plane.' Snakes are biting people - and they're biting them right on screen. There's nothing to review. It's not 'Snakes on the Waterfront.' You don't have snakes going, 'I coulda been a constrictor.' No. Hell no. It's 'Snakes on a Plane.'
So the recordings were these immersive landscapes, and yet, unlike the performances that almost no one would see, I had a sense that these could live forever. I was just starting to get my head around the democratic aspect of art; I didn't want to make rarefied things that were either alienatingly obscure or elite and art-worldy, so a recording that anyone could buy was a great medium.
Every time I go to Europe, I remember that James Dean never saw Europe, but yet I see his face everywhere. There's James Dean, Humphrey Bogart and Marilyn Monroe - windows of the Champs Elysees, discos in the south of Spain, restaurants in Sweden, t-shirts in Moscow. My life was confused and disoriented for years by his passing. My sense of destiny destroyed - the great films he would have directed, the great performances he would have given, the great humanitarian he would have become, and yet, he's the greatest actor and star I have ever known.
A lot of young girls who came to see me in 'Legally Blonde' have come to see 'Hedda,' and they hadn't heard of the play either, just like I was before I did it! If I can bring a younger generation to see an Ibsen play; that's just brilliant.
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