A Quote by Denzel Washington

In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.
The one that I've always wanted - and I have Scott Rudin in my way blocking it - is 'Blood Meridian,' which Cormac McCarthy has offered to adapt into a screenplay.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
My mother asked me what I wanted for my birthday, so I said I wanted to read poetry with her.
I read that Hollywood wanted to film Fences years ago with a white director, but [August] Wilson refused. He thought that the director needed to have lived the culture of black Americans.
RCA wanted me to change my name. They asked me around 1965, when they first signed me. They said, 'Feliciano is too Latin.' I said, 'That's who I am. I'm Jose Feliciano.' They wanted me to change my name to Joe Phillips.
When I was a teenager, I wanted to be a screenplay writer or a photographer. First question people asked me: 'Who do you know? Any contacts?'
When I was a teenager, I had a record company after me. They wanted me to be a pop act. They said they wanted me to be the next Sonia. I was 16 at the time. I said, 'No thank you.'
A lot of people don't know this, but when 'Dancing with the Stars' first asked me to be on the show, I said no, because I wanted to act and to be taken seriously.
I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
When I was asked to play the lead character Mohini in Avunu' I asked Ravi Babu why he chose me. He said he wanted someone who can act well. I felt nice.
My mother, whose family was heavily rabbinic, said she wanted me to continue the family tradition in the rabbinate. My father said he wanted me to be a scholar of the Talmud, but he wanted me to make my living in science.
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