I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
I would never have wanted to play with Magic Johnson, I would never have wanted to play with Michael Jordan, I would never have wanted to play with Karl Malone or John Stockton in my prime. We wanted to play against the Shaqs, the Kobes.
My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
I watched a lot of Jerry Rice's film just to learn how to run routes, but it was so difficult to imitate him, and he didn't play with the same body language that I wanted to play with.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
Since I was five or six years old, I just wanted to be a professional football player. I wanted to play against the best players. I wanted to play in big stadiums in front of big crowds, and I was desperate to play for my country one day, and thankfully, I was lucky enough that happened.
When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."
Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.
I just wanted to play and play and play. When everyone left, I'd stay on the court and hit serves or play against the wall.
It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!
I have the speed. People said, 'Just hit the ball on the ground, slap the ball, just get on base.' But I wanted to be able to hit home runs. I wanted to be able to bunt, steal bases, play defense.
My parents didn't want me to do this. My dad, when I told him I wanted to wrestle, he told me no, if you're going to play any sports, play baseball.
I never wanted to sing. I just wanted to play rhythm guitar - hide in the back and just play.
I've always known I could play football. I went to Arsenal and West Ham as a kid, but I took a year out because I wanted to play with my mates and get that competitiveness back. I got that fighting spirit and I never want to lose that.
I was a hyper kid, so I didn't want to play baseball and wait for the ball to come to me. I wanted to play a sport where I could go get the ball.
I've been a feminist since the day I was born. I wanted to play football. I didn't want to play with dolls; I wanted to play with boys and didn't understand why I couldn't.