A Quote by Denzel Washington

When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.
'm constantly depressed by the Mexican gang members I meet in East L.A. who essentially live their lives inside five or six blocks. They are caught in some tiny ghetto of the mind that limits them to these five blocks because, they say, "I'm Mexican. I live here." And I say, "What do you mean you live here - five blocks? Your granny, your abualita, walked two thousand miles to get here. She violated borders, moved from one language to another, moved from a sixteenth-century village to a twenty-first-century city, and you live within five blocks?"
I came from a two-parent household and my father is a PhD from west Africa, but at the same time I grew up five blocks from where Obama lived and five blocks from the projects.
Imagine blocks and blocks of no cocaine, blocks with no gun play.
My mind is in another planet behind the blocks. Sometimes I'm up in the blocks, and I'm like, 'What am I doing here?' I'm just not trying to think too much.
I love my blocks of marble, always piling up in the yard like a flock of sheep.
I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.
They had the music being piped right out on the street. I'd be three or four blocks from there and I couldn't get there fast enough because I'd hear old Joe holler them words.
Fear is like a giant fog. It sits on your brain and blocks everything - real feelings, true happiness, real joy. They can't get through that fog. But you lift it, and buddy, you're in for the ride of your life.
A woman asked me recently, "What are the blocks to my happiness?" I said, "The belief that you have blocks."
Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
You hit road blocks in life, but I'm living proof that you can overcome those road blocks and become what you want to become.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
You might be a redneck if there are four or more cars up on blocks in the front yard.
I feel like unforgiveness, bitterness and resentment, it blocks the flows of God's blessings in life.
The only thing that I know is that, growing up, I came across stumbling blocks, and I always said to myself, 'If I ever get into a position to do something about this, I would like to, so that somebody does not deal with what I went through.'
The only thing that I know is that, growing up, I came across stumbling blocks, and I always said to myself, 'If I ever get into a position to do something about this, I would like to, so that somebody does not deal with what I went through.
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