A Quote by DeRay Mckesson

There are very few things that I don't talk about - even my relationships. — © DeRay Mckesson
There are very few things that I don't talk about - even my relationships.
Eddie Izzard is wonderful, I think, but I've only seen that one HBO special he did. He's one of the few people who talk about stuff other than girlfriends and relationships and flatulence and genitalia. There are very few of them who actually talk about real stuff.
The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.
I have a very good sense of tone, and it's possible to talk about very personal things and maintain a level of dignity and even privacy - to go to the place, to talk about it, but not get icky.
You can get a few seasons out of power, even accomplish some things, but over time power can be very damaging to relationships.
The fact that there's a more open discussion about everything from feminism to racism?...?I look at my two boys?...?this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f-king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.
And be silent for the most part, or else make only the most necessary remarks, and express these in few words. But rarely, and when occasion requires you to talk, talk, indeed, but about no ordinary topics. Do not talk about gladiators, or horseraces, or athletes, or things to eat or drink - topics that arise on all occasions; but above all, do not talk about people, either blaming, or praising, or comparing them.
For me [in my stand-ups] I do what is from the heart. I do what I relate to, what I can talk about, things that I can define. I don't try to talk about things just because they might be a popular subject. I talk about things I know about.
In top-down processing, which is normally what we do in psychotherapy, we talk about our problems, our symptoms, or our relationships. And then the therapist often tries to get the client to feel what they're feeling when they talk about those kinds of things.
Of all the things about de Sade, I would argue he is funny. A lot of people didn't understand de Sade. No. 1, he is a very good writer, and No. 2, he had the courage to talk about a lot of things that in public, even now, almost nobody has the courage to talk about. He would do it with a kind of funny way - not the stories themselves, but the way he tells them. He is never serious.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
Very few people use landline phones for much of anything. So when you talk about things like online chat and social media messages and emails, what you're really talking about is the full extent of human communication.
People are reluctant to talk about old age and death because they are afraid of emotion, and they willingly avoid the things they feel most emotional about, though these are the very things they most need to talk about.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
People talk about the pain of writing, but very few people talk about the pleasure and satisfaction.
I'm mostly inspired by relationships and things that are going on in my everyday life. It's hard for me to write songs about things I don't experience firsthand, but most of the time it's about relationships - things that are going on in my head.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
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