A Quote by Derek Bailey
Personally, I've found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.
Related Quotes
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
Personally, I've found that the kind of thing that I like is going into somebody else's area and not playing their music but doing whatever I do in their area.
I am personally convinced - and I think the Greek people share this belief in a fundamental way - that we can achieve fiscal consolidation more effectively and we can restore competitiveness in a more fundamental and permanent way within the euro area than outside.
Some people are happy to work in a particular domain or some field of computer science for years, and years. I personally like to kind of move around every few years, just to learn about new areas.
As there are more online archives of improvised music, it becomes more like the daily practice of playing it. It lessens the idea of there being masterpieces of improvised music through benchmark recordings.
I personally think of Linux development as being pretty non-localized, and I work with all the people entirely over e-mail - even if they happen to be working in the Portland area.
Anarcho-syndic alism took for granted that working people ought to control their own work, its conditions, the enterprises in which they work, along with communities, so they should be associated with one another in free associations, and democracy of that kind should be the foundational elements of a more general free society.
Personally, I've always felt that I've enjoyed my work. But there have been times where I've have waited for interesting work to come my way.
I like playing guys where it's as important what they're thinking as what they're saying. Those are the people I like playing, and the actor that I strive to be. I like actors who work in that area and I like parts that allow me to work in that area.
There are constraints on what counts as "Reformed." It's more than a name or a label. It's about belonging to a particular theological stream or tradition, which is shaped in important respects by particular thinkers and their work, particular arguments and ideas, a particular community (especially, particular church communities, denominations, and so on), particular liturgies or ways of worshipping and living out the Christian life, and particular confessions that inform the practices of these communities.
I've personally been on the outside sometimes. But I was - I personally was never persecuted especially in the way in which sharing my own experiences.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
Once I learned how to talk, personally, by myself to any number of people, which means do radio without talking to anyone in particular on the air - I just found that my brain became very free to engage in a sort of stream-of-consciousness style of doing what I do.
More times than not, my pain stems from an area in which I've been least authentic. The second I identify the source - the area of my inauthenticity - I begin to feel better. This allows me to take complete responsibility for my emotional discomfort, and the awareness enables me to move beyond the blockage. I become energetically unstuck, allowing the pain to pass through me.
Perhaps this is an area where every generation starts from scratch. Although the crisis of the First World War inaugurated an especially strong period of disillusion with regard to the optimism of the previous age, the pattern has repeated itself in many ways in more recent times, e.g., the loss of faith in politics as a means of advancing human well-being. And perhaps this also has to do with basic elements in growing up.
My particular interest area is working in issues of emotional literacy. What I see of the way that we educate boys and more than that, the way we socialize boys within their families and then in schools to me is tantamount to just removing any element of emotional intelligence from them.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician