A Quote by Derek Drouin

I'm not one that really soaks up the limelight. I'm OK with kind of escaping it. — © Derek Drouin
I'm not one that really soaks up the limelight. I'm OK with kind of escaping it.
It is ok to err, but it is not ok to stop playing; it is ok to lose, but it is not ok to give up.
It's kind of the period of your career where as a fighter, you need some sort of validation from time to time. I mean, winning matches and going off to the next one, without really having any direction, it's fun, but it's good to have a period where you can say "Ok, I won a title. Ok, I got picked up by a big organization." So every step in there is important.
It's OK to want to look and feel your best. It's OK to work at being attractive, whatever that means to you. And it's also OK to not expect to be defined by that. It's OK to be powerful in every way: to be big, to take up space. To breathe and thrive.
Meditation is nothing but coming to terms with your inner emptiness: recognizing it, not escaping; living through it, not escaping; being through it, not escaping. Then suddenly the emptiness becomes the fullness of life.
It's OK to have up days. It's OK to have down days. But especially remember it's OK to talk to people and let them know you're not OK. Don't think it's something you have to keep to yourself to fit in or to be normal. There's no such thing as normal.
I've been the lull, and I've been the storm and also somewhere in between. But that's OK. I love the limelight after all.
We all have to pick our battles. You've got to draw a line in the sand and stand firm. And it's this squishiness that's really the enemy, like, "Well, I don't know, it's kind of OK but I kind of feel guilty, and I kind of want a bran muffin, I don't know, and I'm wearing a vest; it's crocheted." Shut up. Just pick your battle and just stand there, and whatever you are going to do, own it.
Girls are the best readers in the world. Reading is really a way of kind of escaping so deeply into yourself and pursuing your own thoughts within the construct of a story.
A grateful heart is like a sponge that soaks up God's goodness.
escapism isn't good or bad in itself. what is important is what you are escaping from and where you are escaping to.
Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.
The whole idea with acting is that you take some risks. And if you take some risks, you're really going to mess up sometimes. But it's not OK to mess up a movie; it's not OK to do that just so you can improve as an actor. But film-making takes a little bit of risk in every department.
Some fighters enjoy the limelight. I get nervous, I mess up when I'm trying to explain things, because I'm a fighter pure and simple, and not really a talker.
My dad was very explosive, God rest his soul. He could fly off the handle like no one I've ever known, and I have definitely got that in my personality: that ability to sort of smash the house up and then say, 'Put the kettle on,' to have that kind of attitude of, 'Well, I'm OK now, so everybody else has got to be OK.'
There's this great Ron Carlson story, "A Note on the Type," and it's about this guy who keeps escaping from prison. He's really good at escaping, but he gets caught all the time, because he can't stop writing his name on underpasses where he's running from the law. And there's this whole beautiful paragraph about how to run is to write. And, you know, it's obviously about the writer's life.
I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.
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