A Quote by Derek Jacobi

Real-life people are often the hardest to play, people that you recreate who have actually lived, because you have to live up to people's knowledge of those characters.
This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.
One of the great pleasures in writing 'The Dream Lover' was learning about some of the real people who populated George Sand's life. What a cast of characters! And what a pleasure to recreate them upon the page!
The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.
It's not that I wrote those details, but photos can give you the confidence that you have a real feel for the landscape. Then you can invent with a solid kind of faith, and recreate a feel and flavor of the time, and, one hopes, a tonality, a sense of that time having been lived by those characters.
People tell me that my appearance in real life is better than on-screen. Perhaps people think I am exactly like the characters I play on TV.
Growing up in Kenya, slum life was not far away. I had family that lived in slums, so I visited them often, and so I've seen and interacted with abject poverty. But I also know that because of that, poverty is not the definition of the people that live there.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
Many of the characters who appear in the pages of the Fourth Gospel are literary creations of its author and were never intended to be understood as real people, who actually lived in history.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
For me, the most gratifying part in touring is singing the songs that I know tmy fans love, it's those moments when they put their hands up and their heads down that you know that you have hit a nerve. It's those moments when the people in the audience say "sang". It's those moments that I'd listen to growing up, even on Donny Hathaway live, where the people were speaking to my Dad at the Troubadour and I used to wonder, 'wow, what are they talking about?' There's an electricity that cannot be rivaled when you are creating for people live and in real time.
Good filmmakers actually are people who have lived life, who have something to say, who have stories to tell. People who fall, perhaps make a bad film, pick themselves up and go on to make another one. What strength people exhibit.
I grew up in low-income areas and I've seen people take negative energy and just accept it. They give into and end up living a pretty rough life. At a young age, I just knew I wasn't going to give in because I didn't want to end up being one of those people in the neighborhood that didn't have anything and lived a hard life.
When you are a people's movement, you have one thing. Your only asset is people. And you have to deal with real people. Not the people of your imagination. Not the people you wish people would be. But people as they exist actually out there in the real world.
The people you live with at college, those first roommates often are people you're still friends with the rest of your life.
Once you start to ask patients about their priorities, you discover what they're living for. Once you uncover that, it helps you, as a doctor, decide what to fight for. And when we do that, we often end up identifying limits to the kind of care that people want. One's assumption is that these people are going to live shorter lives, but what we're doing is protecting quality of life. In doing so, you sometimes end up helping people live longer. Certainly, you help people live better days and with more purpose in their lives.
This site uses cookies to ensure you get the best experience. More info...
Got it!