A Quote by Derek Jeter
You have to assume that everything you do is public knowledge. Everything. Because now everyone is a reporter. Everyone is a photographer.
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Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.
A man must have limits and cannot give in to the wild desires to be everything and everyone and everything to everyone.
When you're on set, you're like, 'Everyone's judging me because I'm the director, and everyone thinks I'm doing this because I just love myself and I want to do everything.' Part of it's true: I do want to do everything, and I do kind of love myself.
Until I was about 13, somehow I managed to assume that everyone reacted to everything just about as I did. I took it for granted that everyone shared my passion for overcast skies. It came as quite a shock when I discovered that there were actually people who preferred sunshine.
…It’s like a spiral: They keep making everything more basic so it will appeal to everyone. And gradually, everyone gets used to everything being basic, so we get less and less varied as people, more simple. So the corps make everything even simpler. And it goes on and on.
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.
You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.
People see the celebrity lifestyle and assume everything is perfect, but we're just like everyone else.
At the heart of capitalism is the unification of knowledge and power. As Friedrich Hayek, the leader of the Austrian school of economics, put it, "To assume all the knowledge to be given to a single mind... is to disregard everything that is important and significant in the real world." Because knowledge is dispersed, power must be as well.
There is an odd assumption that compassion and care are finite or that critics can be everything to everyone - commenting on everything simply because they can. That's not what cultural criticism is.
You have to be intelligent. You have to know what other guys are doing because you're in the back end and you see everything, so you have to alert others what to be ready for, and that makes it easier on everyone. It's just like playing offense, but now you're the quarterback of the defense, and you need to be vocal and take on that leadership responsibility. If you do, everything else becomes easier.
Everyone knows everything about all of us. That's too much knowledge!
After all the years of [spiritual] work, ... I've realized this: that everything and everyone is precious beyond words. Everything and everyone is holy. And the point of our being on this sweet planet is to be of service to all of it. And when we understand this truth in our bones, joy fills our hearts.
During your life, everything you do and everyone you meet rubs off in some way. Some bit of everything you experience stays with everyone you've ever known, and nothing is lost. That's what is eternal, these little specks of experience in a great, enormous river that has no end.
The great moral question of the twenty-first century is this: if all knowledge, all culture, all art, all useful information can be costlessly given to everyone at the same price that it is given to anyone; if everyone can have everything, anywhere, all the time, why is it ever moral to exclude anyone?
I studied everyone in the business of entertainment: Dr. Dre, Diddy, everyone. Rob Dyrdek was big for me. He would get 2 million views a week on 'Rob and Big,' and from that sprung everything: DC shoes, Monster Energy, 'Fantasy Factory,' everything.
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