A Quote by Derek Luke

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.
When I was young I was one of the second generation of black people in Holland. My father was the first. My mother was white, and living with a black man at that time and having a how-you-say half-caste boy is not easy.
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
I don't know many women who can relate to Sharon Stone and the kind of movies she does. I don't know a lot of guys who can relate to Tom Cruise's movies because they're on a kind of fantastic level. I like movies I can relate to.
I'm very proud to be black, but I'm just as much black as I am white. But I want tell stories that everybody can relate to, so I don't care who's opposite me.
Everybody can relate to feeling hopeless, at some point in their life, and everybody can relate to fighting for something that's worth fighting for, and everybody can relate to a person in their life that makes them go, "I don't know why you're here right now," but then, at the end of the day, realizing you'd do anything for them.
It's scary having a baby, especially as a first-time mother. I think a lot of women can relate to having a moment during the process where you're like, 'You know what? No thanks, I don't want to do this anymore.'
America is not all white people. It's not all black people. It's not all Mexican people. We together, and we all relate on certain levels, so if you actually scaring people away, they can't relate to what you're saying.
A universal sound is about having everybody be able to relate to it whether you're in New York, LA, London or Australia. You have to be able to universally be brought back to a place where they can relate to you as an artist.
I talk specifically to the lifestyle and those who can relate to it. And I feel like, where the creativity comes in, is where you draw the parallels that everybody can relate to. That's where it's creative for me. I feel like it works best that way.
Everybody wants to talk about black and white, when the situation is really about rich people against poor people.
When it comes to our precious poor children of all colors, maybe disproportionally in percentage black and white and red, but all colors, yellow as well as white, we need to push toward integrated schools.
Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.
Anyone can relate to struggle, whether you're European or Asian. Anyone can relate to having to get up and go to work and eat.
There's been a vacuum with movies that people can relate to. There's been a paucity of dramas that people can relate to. I think audiences are clamoring to connect - particularly after 9/11 - with things that are genuine and real and I think documentaries are filling that need.
If you're white and you're rich in the USA, if you get busted for drugs, you get a good attorney, and you in all likelihood serve no time. But if you're poor, black, Hispanic, or poor and white for that matter, you can get put in jail.
I grew up on what everybody called a plantation - but believe me, it wasn't a plantation. It was just an old farm. I grew up with a lot of black people working in the fields, and it was during the Depression between 1930 and the war, so we were all poor - black and white.
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