A Quote by Derek Magyar
If I am looking at my work as an actor after having directed, I'm able to look at things in a much more technical way. There's no question about that.
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I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
But really - look at the span of my career, and it's something people dream about. And to be spared major injury: I had some moments along the way, but being able to retire on my own terms after having driven during those decades when safety conditions were more precarious than today - am I lucky, or ?what?
In L.A., we have a saying - 'What do you do?' It's less of a question and more of a self-defense mechanism for wayward screenwriters looking to slip you a first draft, or the occasional actor looking to get in on the latest shoot. But I hate the question because of my own answer - I write about games.
I get very surprised and shocked because there is so much prejudice against me as a celebrity, instead of them looking at the quality of my work. Just look at the work. Forget about who I am. But there is so much perception in the art business that blurs that insight. The work speaks, so just look and then judge from there.
One of the beautiful things about having kids is I had no idea how much it will make you look into yourself and who you are and what you believe in and what your past was like and all that kind of stuff. I think it's made me really look at life in a much more intense way.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Mohan Lal is my favorite actor, so if I am saying that Salman has performed better, you can believe how much he has done. Salman is better looking, so that's his plus point. Lal is the more realistic actor, but Salman is a better dancer. So there are things you can't compare. Both are good in their own way.
I am very benign-looking. I'm somewhat like a golden retriever: It's not hard to look at me. I'm perfectly fine. It's not like things jut out and make you nervous. But the lovely thing about being so pale and having such pasty features is that I can look like pretty much anything, which is nice.
There are always things that I'd love to do. As an actor, none of them are specific; all I'm looking for are things that are good quality, that are challenging for me to work on, and even better if I get to work with people that I respect and am excited to work with.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
I am very much in the instant-gratification camp. I am too much of an actor not to be. I am used to doing my work and having someone comment immediately. So I think that I'm a little hooked on that gratification structure.
I'm a very physical actor; everything I do is pretty much body-oriented. I sometimes am able to deliver information just with a look; my face does two or three different things, and it says it all.
I am looking at it from the point of view of a harried user, which I am, and I believe that I am much more like the typical non-technical harried user than I am like the people who smoothly operate everything.
You hear about actors being late and all that sort of stuff, but you never find that with an actor who's directed, because an actor who's directed understands all the problems your production is going through.
In question-and-answer sessions after a reading or during an interview, I forget the question if I'm giving too long an answer. And at the end, I can't remember any of the questions. The more anxious I am about remembering, the more likely I am to forget.
I feel like I'm sort of afraid to study too much because I feel like I work as I go, but I want to study the classics and also the technical aspects of things. I'm always looking to understand more.
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