A Quote by Derek Magyar

I approach directing from an actor's standpoint. — © Derek Magyar
I approach directing from an actor's standpoint.
I'll say this: I think from a directing standpoint, 'Loving' is my most accomplished film. Strictly from a technical, directing point of view.
I always wanted to write movies that I'd direct. I didn't come at it from a writing standpoint more than a directing standpoint, except that growing up, I didn't have the opportunity to shoot as much as I did to write.
Normally when people ask me what I do I say I'm an actor, and that's what I always wanted to be and that's the way I approach work even when I'm directing it.
I think 'GoodFellas' is just a perfect film. From an efficiency of storytelling standpoint, from an entertainment standpoint, from a performance standpoint, from a use of music standpoint, from a cinematography and editing standpoint - to me, it's just a perfect movie.
My approach to directing is to not do very much directing. I'm mainly interested in what the creative group individually and together are thinking.
When you start out on a project as an actor, you know, you approach the character from the standpoint of maybe writing a list - even if it's a mental list that you make - of the adjectives that the character has or that character possesses.
Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
The only disadvantage to directing if you've been an actor is how self-conscious you are. When I'm directing, I'm always so aware when I'm speaking to an actor of how easily I could throw them off by saying something careless or not being clear or concise. So it does make you watch your words in a way that sometimes is unhelpful.
Directing was a natural thing for me. Actually, it was far less stressful directing than being the lead actor. I was able to have my input in all aspects of it.
Indeed, the actor's lot is a much harder one than that of the director's, from one simple standpoint: The actor has to play the eight shows a week.
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
With anything, you have to approach from an educational, mature standpoint.
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
I was a film-directing major at NYU. I'm still not sure why I became a directing major, when I was really an actor and a comedian, but there was something that drew me to doing that.
The way I approach things is from an experimental folk music standpoint.
It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
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