A Quote by Derek Tangye
I do not mind having imaginary conversations with animals who are part of my life. The comfort of talking to one at a time of personal distress is so soothing because one has the ease of knowing that one's secrets will not be repeated to anyone. Yet there are those who are horrified that an animal can be a more reliable part of one's world than that of the human world.
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Domesticated animals such as dogs and cats are vulnerable and entirely dependent on us for all of their needs. They live very unnatural lives because they are not part of the human world and they are not part of the animal world.
George Jones has been a major part of my personal and professional life for a long time. I have been inspired by his music for the last 50 years and for 42 of those, I had the pleasure of knowing him personally and professionally. He was IT to me. George was and will always be my guy. I am luckier than a lot of people on this Earth because God let me be a part of George's life and him a part of mine. And on this day, his song couldn't be more true: 'He Stopped Loving Her Today.'
Because animals seem to dwell in the present moment,
because their own presence is so instinctive,
their attention so unwavering, the offer us
a different kind of compassion than humans do.
Anyone is lucky to have both human and
animal comfort in their lives.
One minute you're closer to someone than anyone in the whole world, next minute they need only to say the words 'time apart', 'serious talk' or 'maybe you...' and you're never going to see them again and will have to spend the next six months having imaginary conversations in which they beg to come back, and bursting into tears at the sight of their toothbrush.
We're all animals, high school is animals, but some of us are more animal than others. Like in 'Animal Farm,' which I read, all animals are created equal, but some are more equal than others? Here in the real world, all equals are created animal, but some are more animal than others.
For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
Ayurveda is the science of life and it has a very basic, simple kind of approach, which is that we are part of the universe and the universe is intelligent and the human body is part of the cosmic body, and the human mind is part of the cosmic mind, and the atom and the universe are exactly the same thing, but with different form, and the more we are in touch with this deeper reality, from where everything comes, the more we will be able to heal ourselves and at the same time heal our planet.
My picture of the world is drawn in perspective and not like a model to scale. The foreground is occupied by human beings and the stars are all as small as three-penny bits. I don't really believe in astronomy, except as a complicated description of part of the course of human and possibly animal sensation. I apply my perspective not merely to space but also to time. In time the world will cool and everything will die; but that is a long time off still and its present value at compound discount is almost nothing.
If I need a cause for celebration, Or a comfort I can use to ease my mind, I rely on my imagination, And I dream of an imaginary time.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
I can't be a part of the problem. I hate the idea of a label just as much as anyone else but I'm with who I'm with, I love who I love and I'm if not a better actress than I was yesterday and my personal life should have no effect on that. I think that the injustice of people staying in the closet is more than I can bear with a clear conscience and I couldn't sleep at night if I was a part of that problem, if I was part of the lies.
We are part animal, part human, and part divine, and the moment we forget the possibility of any one of those, we are lost.
To be 'for animals' is not to be 'against humanity.' To require others to treat animals justly, as their rights require, is not to ask for anything more nor less in their case than in the case of any human to whom just treatment is due. The animal rights movement is a part of, not opposed to, the human rights movement. Attempts to dismiss it as anti human are mere rhetoric.
I don't like the idea of being a human being, existing, talking to my friends, and having these real human conversations, and then getting to work on a sitcom and turning that part of my brain off.
In the highest sense, we are all creatures of light. And I have a very difficult time talking with people who are cynical about the world. "The world is no damn good, and we're all animals," and that kind of thing. Well, I'm an animal.
As brother stands by brother in distress, binding up his wounds and soothing his pain, so let us show our love towards our enemy. There is no deeper distress to be found in the world, no pain more bitter than our enemy's. Nowhere is service more necessary or more blessed than when we serve our enemies.
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