A Quote by Derek Trucks
You hear a great Art Blakey drum solo or Elvin Jones, and you can tell when they're taking a breath. You can tell when they're loading up for something big. There's just this humanity in it, and I think that's important as well.
Related Quotes
We all kind of grew up together with Art Blakey because we all were young and he gave us a chance to write. We had to write something that was good and to sit up with a great guy like Art Blakey and watch him.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
Don't make the mistakes I made of not taking care of myself. Please, keeps your chops cool and don't overblow. If you are going to play hard, be sure to warm up. I'd get carried away trying to stay right with the momentum [of Art Blakey and the Jazz Messengers]. I used to try and play like Coltrane and solo for 30 or 40 choruses. It all caught up with me.
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
I used to tell my friends, 'Art Blakey is way more gangster than Eazy-E!' I ended up getting my friends into jazz, and all of a sudden there was this little group of kids in the middle of South Central that were all into hard-bop.
There is pressure when you have a very big book like 'Shadow Divers' to follow up with something big. But you can't let that pressure determine what you do. You just look for the best stories, and when you find a great one, you tell it.
Drummers get bored. You tell them to play something simple, and it gets more complicated as they do it. If they're not a composer, if they don't have any kind of investment in the music, they'll just add a bit there and another bit there, and you think no! Don't do that. So you end up using a drum machine.
Black folks tell their kids they have to be twice as good as a white person? Well, if I tell a child of mine that, or that they have to be careful - that this is what a cop would do if you do this - they think something is wrong with them. I tell them death is better.
The military profession, especially in the long-established great powers, is deeply pessimistic about the likelihood that people and countries will behave well under stress. Professional officers are trained to think in terms of emergent threats, and this [climate change] is as big a threat as you are going to find. Never mind what the pundits are telling the public about the perils of climate change; what are the military strategists telling their governments? That will tell us a great deal about the probable shape of the future, although it may not tell us anything that we want to hear.
Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination.
You can never tell what the public will think! But when something goes well and is well-received, it's a great surprise!
When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
Han Solo is more interesting than Superman because he's flawed. Superman's flaw is kryptonite, and that's it. He can make time go backwards, for God's sake, but with Han Solo or Indiana Jones, there's a bit of humanity there.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
I will say this: The overriding feeling that I have is that I want to go up there and do my job well and then come back and tell a great story about a great mission and a great team so that people have something to look up to and look forward to.
I think that ultimately - as I say to most of the people who are acquiring art - I can tell you my reality of a piece, but ultimately what's more important will be yours. I can tell you what a piece means to me, but just as valid if not more is what it means to you.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician