A Quote by Derek Walcott

Visual surprise is natural in the Caribbean; it comes with the landscape, and faced with its beauty, the sigh of History dissolves. — © Derek Walcott
Visual surprise is natural in the Caribbean; it comes with the landscape, and faced with its beauty, the sigh of History dissolves.
If it form the one landscape that we the inconstant ones Are consistently homesick for, this is chiefly Because it dissolves in water.
I was always pretty interested in my history. Not just the history of the Caribbean, the history of my people, but all walks of life.
It's true in everything, not just in drag: To be a success, you have to understand the landscape. You have to know thyself, and you have to know your history so that you can draw from people who have figured out the equation you are faced with. It's not rocket science.
A lone peak of high point is a natural focal point in the landscape, something by which both travelers and local orient themselves. In the continuum of landscape, mountains are discontinuity -- culminating in high points, natural barriers, unearthly earth.
Because I'm a walker, natural history is my subject; I've always been obsessed with landscape, and I have an elegiac tone in most of my books.
In the absence of any written analogue to speech, the sensible, natural environment remains the primary visual counterpart of spoken utterance, the palpable site, or matrix wherein meaning occurs and proliferates. In the absence of writing, we find ourselves situated in the field of discourse as we are embedded in the natural landscape; indeed, the two matrices are not separable. We can no more stabilize the language and render its meanings determinate than we can freeze all motion and metamorphosis within the land.
Everyone says I should write a natural history or landscape book because if I have an area of amateur expertise, it is in those things.
Meditation is another dimension of natural beauty. People talk about appreciating natural beauty-climbing mountains, seeing giraffes and tigers in Africa, and all sorts of things. But nobody seems to appreciate this kind of natural beauty of ourselves. This is actually far more beautiful than flora and fauna, far more fantastic, far more painful and colorful and delightful.
Natural history is not equivalent to biology. Biology is the study of life. Natural history is the study of animals and plants-of organisms. Biology thus includes natural history, and much else besides.
The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history.
The sigh of History rises over ruins, not over landscapes, and in the Antilles there are few ruins to sigh over, apart from the ruins of sugar estates and abandoned forts.
Tobias Buckell combines old world with new in his novel CRYSTAL RAIN. While the rich cultures, drawn in part from Caribbean history and lore, echo a familiar landscape, he brings it out of the Earth milieu and into a bold new universe where technology and tradition collide. I enjoyed his colorful characters and musical use of language; his voice is fresh and entirely readable.
In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.
For me nature is not landscape, but the dynamism of visual forces.
You can sustain visual beauty and innovative visual ideas for a certain length of time, but in a two-hour experience, which is really what movies are, usually audiences - whether they know it or not - most want an emotional connection to character.
Swift speedy time, feathered with flying hours, Dissolves the beauty of the fairest brow.
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