A Quote by Derek Walcott

I don't think poetry has a readership anywhere, really, that's that big. — © Derek Walcott
I don't think poetry has a readership anywhere, really, that's that big.
I have no idea what readership is of written editorials, but it doesn't come anywhere close to the readership of editorial cartoons.
I really love poetry. I'm a big E.E. Cummings fan and a big Walt Whitman fan, and I have a big book of poetry.
I'm really not big on nationalism, to be honest with you. I really don't think it gets people anywhere except near a pile of dead bodies. I'm Irish, yeah, but I don't need to get up on a soapbox about it.
There are different reasons why people write: for themselves, or for other writers, or to get prizes, or keeping an audience in mind. In my case, it felt really nice that a certain type of readership read the book and liked it, even though my readership is not as wide as certain popular books.
I think social media is... really cool in the sense that I don't think that a writer like me would've found a readership if maybe Instagram wasn't there.
We, in the New York Times, have not yet figured out how to grow our international readership. We started a website in China, which the Chinese government has blocked, but it has a pretty healthy readership. The Guardian, for instance, has gotten tremendous growth through its website in the US. We have to figure out how to go after readership in different parts of the world.
I think poetry will survive and I don't think it will be the end of poetry. Our tremendous onslaught of mass media all the time that we're suffering and we don't really know how to think about, I think that puts certain things at risk.
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
I myself have never called what I write anti-poetry. I also think that my poetry should not be only known as the poetry of Ernesto Cardenal but rather as Nicaraguan poetry.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written
I think the weather here is a big attraction for anyone. But also, there are more creative people per square mile in L.A. than anywhere in the world. They make 'The Simpsons' here. Anywhere they make 'The Simpsons' is a good place to be.
I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
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