A Quote by Derren Brown

Dull magic is a collection of tricks: great magic should sting. — © Derren Brown
Dull magic is a collection of tricks: great magic should sting.
One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
Everything I do is alchemy. That's why I believe in magic. Not black magic, not the satanic magic that they practice in Hollywood and that the deep state practices and that the media practice. I believe in good magic, light magic, alchametic magic.
My idea of magic doesn't have much to do with stage tricks and illusions. The whole world abounds in magic.
We didn't have a whole lot of money when I was growing up either. I would always ask for magic books or magic tricks for my birthday or for Christmas and the rest of the year I either had to mow lawns or find part time jobs to help supplement the cost of doing magic.
Disappearing act? That's a magic trick, isn't it? I like magic tricks!
The artist brain is the sensory brain: sight and sound, smell and taste, touch. These are the elements of magic, and magic is the elemental stuff of art. In filling the well, think magic. Think delight. Think fun. Do not think duty. Do not do what you should do-spiritual sit-ups like reading a dull but recommended critical text. Do what intrigues you, explore what interests you; think mystery, not mastery.
I definitely went through my magic phase. I think all little boys do at some point or another - they get fascinated by magic tricks.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
One day, I saw a magic show, and I was like, 'I have to learn how to do this!' Every time I went to Las Vegas, I had to get at least two or three tricks from the magic shops.
Magic is like special effects live, and I love to perform, so it sounded like doing magic tricks were a good way to entertain people.
One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality. That is the subject that, if you have a brain in your head, is always dealt with in magic. The smarter the tricks you're doing, the more that' s an important thing.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
Magic is love. All magic should be performed out of love. The moment anger or hatred tinges your magic, you have crossed the border into a dangerous world, one that will ultimately consume you.
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