A Quote by Derren Brown
Booking an act for my Dad's 70th birthday, I wanted a great act and went straight to John Archer- his reputation in the magic world is among the very best. I was so pleased he was able to do it, and he absolutely brought the house down. It was brilliant, hysterically funny, and perfectly pitched for the occasion. He made the evening. I'd recommend him unreservedly.
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Give him a crowd, a gallery worthy of his best effort, and the old warrior will put on his show... He isn't what he use to be. But pack the stands, turn up the lights, and who is it brings down the house with his act? The Babe!
When Jesus then is with the multitudes, He is not in His house, for the multitudes are outside of the house, and it is an act which springs from His love of men to leave the house and to go away to those who are not able to come to Him.
I just read about John Le Carre, the great spy novelist. He had an absolutely miserable childhood. His mother deserted him when he was young. His father was a playboy and a drunk. He was shifted around to many different homes. He knew he was a writer when he was about nine, but he was dyslexic. So here was a person with an absolutely messed-up childhood and a symptom that prevented him from doing what he wanted to do most. Yet that very symptom was part of the calling. It forced him to go deeper.
A great trick that I learned having worked as a screenwriter for many years, the way screenwriters work, is they break the project down into three-act structure: Act 1, Act 2, Act 3. I think that is a great way to break down any project, whether it's a new business or anything at all.
If a person cannot foresee the consequences of his act, and is not capable of understanding what he is told about its outcome by those with more experience, it is impossible for him to guide his act intelligently. In such a state, every act is alike to him.
To be able to make a good living in a challenging medium like soap operas is great. The best is that I get to act and am rewarded for it. And the people I work with are great. Funny, intelligent, hard working. They're all great to be around.
John McCain is falling down on the job. He has gotten weak. He has gotten old. I do want to wish him a happy birthday. He is going to be 80 on Monday and I want to give him the best birthday present ever, the gift of retirement.
Someone told me once - I mean I said, "Is it ok that I don't really know what the three-act structure is?" And he said, "It's basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down."
Everyone said how brilliant of Tom Conti to be in bed in 'Whose Life Is it Anyway?' and only have his head to act with. He should be so bloody lucky. I'm not for a moment disputing that Tom Conti is an absolutely brilliant actor. But he should be so lucky to be stuck upstage in the spotlight, with everyone focused on him.
May it not be asked of every intelligent friend to the liberties of his country, whether the power exercised in such an act as this ought not to produce great and universal alarm? Whether a rigid execution of such an act, in time past, would not have repressed that information and communication among the people which is indispensable to the just exercise of their electoral rights? And whether such an act, if made perpetual, and enforced with rigor, would not, in time to come, either destroy our free system of government, or prepare a convulsion that might prove equally fatal to it?
The best seat in the house often depends on the ballet. For instance, much of the first act of 'The Nutcracker' is domestic and small scale, so it's great to sit up close. But the second act features elaborate scenery and choreography, which are better to observe from a distance.
A Dad gives hope
When life is low
A Dad's a place
Where you can go
A Dad is honest
A Dad is true
A Dad is precious
My DAD is You
Happy Birthday to YOU
Happy Birthday to YOU
Happy Birthday , Happy Birthday
Happy Birthday to YOU
Dad could speak with a strong voice. And luckily, he was very good at lip-reading, so he was able to disguise his deafness well. He tried various hearing aids but would find them fiddly and uncomfortable, and worse, they often made horrible high-pitched noises.
There was always a piano in the house when I was growing up - my dad played, and I thought it was cool - and when I was eight, I begged my parents to let me have lessons. After a couple of weeks, I wanted to give up, but my parents were very focused and made me keep going, which I'm very pleased about now.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
You shouldn't worry who gets the funny line, just that you're being funny as a double act. With us, it flips all the time. There's no real straight man or funny man.
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