A Quote by Derrick Favors

I'm happy to be here at the NBA Draft no matter where I go. — © Derrick Favors
I'm happy to be here at the NBA Draft no matter where I go.
With TV, your first draft just doesn't matter. It's a skeleton, and then there's draft after draft after draft, and so many other factors influence it. It's just a whole different kind of storytelling.
Once you get into the NFL, it doesn't matter what draft pick you are, what round you are, if you're undrafted or not. It's football time again. The draft, all of that doesn't matter anymore.
On draft day, I wasn't really nervous at all. Then you turn on the draft, the first five picks go by, and then you still thinking, 'Oh man, I don't know where I'm going to go.' It's really just, by the time draft hits, that's when you get nervous.
It was even hard to imagine I was going to play in the NBA, because so many guys playing in Europe are not even getting to the Euroleague and everything. But everybody wants to play in the NBA. So when draft night came, it was a dream come true.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.
The baseball draft is very different from the NBA or the NFL.
A lot of teams made a mistake in the NBA draft.
Yes, the first draft is the key. That's why I put so much energy, focus, and attention on the first draft, because I respect that first go at the story. If I don't have the key in that first draft, I invariably won't get it in subsequent drafts, though I can craft around it.
Some writers sit down without a thought of what they are going to say, and they go through draft after draft.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
If you had first pick in the all-free agent NBA draft, you'd take LeBron James.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
I honestly think I'm just an actor. It doesn't matter the medium. I can go on stage and be happy, I can be on TV and be happy.
I have no preferred team, but everyone wants to go No. 1 in the draft. Even the guy who gets picked last in the draft wants to go No. 1. But I just know that whoever picks me, I'm going to be excited to play for that team, and I can't wait to see myself in 'Madden' on that team.
We just have fun with our NFL Draft coverage because we understand that it's a long process, and there can be technical glitches that we don't profess to ignore. During our late coverage of the Draft, we sometimes get slap-happy and distort the heads of our analysts.
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