A Quote by Derrick Henry
You control your own destiny. You go out there and work hard and show people that you come to work and earn your respect. All you can control is how you go out there and perform every day.
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I think you have to every day as an NFL player. I think you have to go out there... and show that you earned the right to be an NFL player and you earn the right every single day by your work habits, your preparation and the way you perform on the field.
I worry about what I can control, and that's come out and improve every day, enjoy the process, count your blessings, and work extremely hard.
It’s all about control. Control is illusory. No matter what university you go to, no matter what degree you hold, if your goal is to become master of your own destiny, you have more to learn. Parkinson’s is a perfect metaphor for lack of control. Every unwanted movement in my hand or arm, every twitch that I cannot anticipate or arrest, is a reminder that even in the domain of my own being, I am not calling the shots. I tried to exert control by drinking myself to a place of indifference, which just exacerbated the sense of miserable hopelessness.
You can never control how people respond to your work. You can only control your own work ethic.
You can't control whether or not you have talent. You can't control whether or not your work will be recognized or valued. But what you can control is how much work you put your art-both in terms of creating it and in terms of getting it out there-and that is where I try to focus my energy.
I don't try to focus on anything that doesn't affect me personally and how I go out there every single day. I'm just going to continue to work hard and focus on what I can control.
We don't go for segregation. We go for separation. Separation is when you have your own. You control your own economy; you control your own politics; you control your own society; you control your own everything.
I have learned from my experiences in this industry that there is absolutely no way to control people's opinions on your performance in your movie. You go out there, promote your film and hope people like the work you did.
When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
You need to learn how to select your thoughts just the same way you select your clothes every day. This is a power you can cultivate. If you want to control things in your life so bad, work on the mind. That's the only thing you should be trying to control.
You can't make good decisions that are going to be meaningful, productive, when you lose control, and you have to maintain mental control, emotional control and to be able to perform physically up to your own particular level of competency; you have to keep your emotions under control.
You have to go out there and fight as hard as you can. You have to go out there and work as hard as you can and do the right things. Then you go out there and perform and either it's good enough or it's not.
It's not fun to watch your team go out, and guys that you've worked so hard with, and the countless hours you've put in on your own time to go and showcase all your hard work, and then have it taken from you and then see your boys playing without you.
The stage gives you more control over your own work; in television, there's a distressing amount of communal writing. Unless it's your show, you have no control over that. You're at the mercy of whoever's running the show.
I have huge respect for women who go out of their homes and have the courage to make their own destiny. And let me tell you, Indian women are doing a great job. There are those who work because they have no option but to earn, and then there are those who do it because they have the right talent. I respect both.
And knowing that the only alternative to your grief is the nothingness that’s fast approaching, you try to embrace your own sorrow, to be open and empty and let it all pass through you. This is the key, you have learned – to relinquish control, to relinquish the desire for control. Even in this late drama, to try to control is to go mad. And so you do your best to let it all go.
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