A Quote by Derrick Jensen

Maud Gonne was - excuse me, Maud Gonne was central to the Gaelic literature revival. She wrote plays, and she sang. — © Derrick Jensen
Maud Gonne was - excuse me, Maud Gonne was central to the Gaelic literature revival. She wrote plays, and she sang.
I can't forget the scene in 'My Night at Maud's' when the very pious engineer in the business suit decides to sit on Maud's bed while she is lying under the covers with only a T-shirt on, determined to seduce him.
Come into the garden, Maud, For the black bat, night, has flown Come into the garden, Maud, I am here at the gate alone: And the woodbine spices are wafted abroad, And the musk of the rose is blown. For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky.
"That's a poor match, Sean Kendrick," says a voice at my elbow. It's the other sister from Fathom & Sons, and she follows my gaze to Puck. "Neither of you are a housewife." I don't look away from Puck. "I think you assume too much, Dory Maud." "You leave nothing to assumption," Dory Maud says. "You swallow her with your eyes. I'm surprised there's any of her left for the rest of us to see."
A woman doesn't want to be told she looks nice,' Jude nuttered as she sat down beside maud's grave. "She wants to be told she's beautiful, sexy. That she looks outrageous. It dosen't matter if its not true.' She sighed and laid the flowers against the headstone. 'Because for the moment, when the words are said and the words are heard, it's perfect truth.
Although my father's mother, Nancy, has dementia, and her experiences gave me ideas for some of the scenes in the book, it was my mother's mother, Vera, who most influenced the character of Maud. Vera died in 2008, before I'd gotten very far into writing 'Elizabeth Is Missing,' but her voice is very like Maud's.
The book that made a lasting impression was the one my mother gave each of us when she decided we were ready for our first "adult novel," Lucy Maud Montgomery's The Blue Castle.
The book that made a lasting impression was the one my mother gave each of us when she decided we were ready for our first 'adult novel,' Lucy Maud Montgomery's 'The Blue Castle.'
One day, when I was still living at home, a friend told 'Texas' Jean Valli about me. She was originally from Syracuse, N.Y., and lived in New Jersey but sang country. One night, she had me come up on stage where she was performing. I sang 'My Mother's Eyes,' and she was knocked out.
Julie Johnston is what I would call a loud central defender, as far as how she tackles and how she plays - you notice her. And you notice her in a positive way. She's a destroyer. She interrupts plays and tackles the crap out of people. That's a very visual thing.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
A beautiful woman, Simone Weil said, seeing herself in the mirror, knows "This is I." An ugly woman knows with equal certainty, "This is not I." Maud knew this neat division represented an over-simplification. The doll-mask she saw had nothing to do with her, nothing.
When I was 12, I wrote a legit song - about having my heart broken, of course, because I was 12 years old going on 40. I sang the song for my mom, and she asked, 'Where did you get that song?' I told her I wrote it, and she said, 'Really?' She looked at my grandparents and just said, 'Oh, boy.'
I was thrilled as a kid to point out my sister as she danced and sang on the stage, and she was pretty good artistically. She was a great inspiration to me. She was the one who sort of led me into show business.
I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.
She sang a lot of songs. 'The Bear Went Over the Mountain' and things like that. But the one she was really good at singing was 'I Found a Peanut.' Now I know why she sang that so many times.
[Adrienne Shelly] explain exactly what she was looking for. This was her movie [Waitress].She also wrote the songs that I sing in it. She wrote everything. She chose the colour of our outfits; she designed the set of the diner. She was very, very involved at every level.
This site uses cookies to ensure you get the best experience. More info...
Got it!