A Quote by Derrick Rose
In my era, where I'm from, I only had Donald Whiteside. He's from Englewood and he's the only one that came out of Englewood. Other than him, I really didn't have anyone else to look up to that was from my area. So in seeing him, I never gave up hope, just kept playing and then I realized that I might have a future in basketball.
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But some part of him realized, even as he fought to break free from Lupin, that Sirius had never kept him waiting before. . . . Sirius had risked everything, always, to see Harry, to help him. . . . If Sirius was not reappearing out of that archway when Harry was yelling for him as though his life depended on it, the only possible explanation was that he could not come back. . . . That he really was . . .
I remember my son wanted to go to bed with his cowboy boots on, and we had this fight for like an hour. Then I realized that the only good reason I had for him not to do it is because I didn't want him to. There was really no other reason. And finally I said, "OK, fine." It was a great victory for me, because I realized it doesn't really matter.
I have nothing but the best memories of growing up in New Jersey. Of course, I grew up in a nice town, a suburb. But Tenafly was right next to Englewood, which had a tremendous amount of racial tension in the '60s. So I was aware of the real world.
She saw him the first day on board, and then her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him.
I knew that Vaclav Havel didn't want to look into people's eyes, because he said that, when he was being interrogated during the communist period and had been taken to jail, that, if you look directly into somebody's eyes, they can persuade you. And so you can see that so clearly in this interview, where he's looking down.And I kept saying to him as we kept coming - came over here: " You have to look up."And I clearly had no influence on him.
Up until then it had only been himself. Up to then it had been a private wrestle between him and himself. Nobody else much entered into it. After the people came into it he was, of course, a different man. Everything had changed then and he was no longer the virgin, with the virgin's right to insist upon platonic love. Life, in time, takes every maidenhead, even if it has to dry it up; it does not matter how the owner wants to keep it. Up to then he had been the young idealist. But he could not stay there. Not after the other people entered into it.
Before she realized he was next to her, he had placed his hands over hers on the countertop, then hooped his fingers through hers. Gretel looked up at him, so startled she might as well have been shot. 'I just wanted to wake you up', he said. Which is exactly what he did. One look at him and her heart was racing. One look, and whatever had been before was all over.
My little one's only 12 and I miss seeing him grow up and trying to form him and mould him the way I'd like him to him to turn out, which is something like his dad!
Once, after I had just worked out, I hopped on the elevator at the gym only to look up and see Conan O'Brien on it with me. I was so sad. I was all sweaty, but I love him so much, and I couldn't help but nerd out on him.
I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.
I only learned about Darger a couple years ago, when I kept seeing his name in reference to my artwork, so I looked him up. I wouldn't consider him an influence because I'd already established my current style before learning about him, but I enjoy his work a lot.
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
Failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy to finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one area where I truly belonged. I was set free, because my greatest fear had been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter, and a big idea. And so rock bottom became a solid foundation on which I rebuilt my life.
This whole thing about not kicking someone when they are down is b.s. Not only do you kick him—you kick him until he passes out—then beat him over the head with a baseball bat—then roll him up in an old rug—and throw him off a cliff into the pounding surf below!!!!!
He reached up t0 grab one and came down with several, and they kept coming, washing over him, floating all around him. Never have tampon strings seemed so beautiful as they rolled up and down with the wind, landing on the ground and then twirling and floating up again, falling and rising and falling and rising.
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