A Quote by DeSean Jackson

When I got released in 2013, I just felt that was an unfortunate situation for me. — © DeSean Jackson
When I got released in 2013, I just felt that was an unfortunate situation for me.
In them days, it was just still not illegal to kill an Indian. If you killed an Indian, you'd be very unfortunate if you got probation - most of them were released immediately.
It's an unfortunate situation. After such a great play I felt like I got hit late, no flag, broke my hand. That's it. That's pretty much been the story for the past three weeks, and obviously at some point something catastrophic was going to happen, and I broke my hand.
I felt that I'm a real important part when it comes to hip-hop, but maybe not so much in the industry, so I felt that I was better of in an independent situation... where I have some control over my life and there's no middle man and it's basically me and my team handling my situation.
You've got the Wall Street situation, the sub-prime situation. You've got a black president. We've got wars. We've got unemployment. But the music doesn't reflect that. And I challenge anybody to show me a music that's on the radio that reflects that.
I'm really just excited to play football. It's a win-win situation for me. I just got to go out there and do what I do best. It's what God blessed me to do, so I've got to do it.
"St. Lucia We Love" is actually a song produced by Stratosphere music (also St. Lucian). The CEO of Stratosphere music approached me and wanted me to produce a music video for this song which was already a hit in my country. I felt privileged to have been chosen to do such a video. So every time I went out to shoot a scene from the video, I would get a still shot from the scene to tease the public. The photo of the amazona versicolor is is an actual scene from the video which was released on St. Lucia's Independence day (22nd February, 2013).
We have a lot of respect and love for Bruschi. But he's gone. That's unfortunate for us, but we have to move on. Just like if I got injured they'd have to move on without me. That's just part of the game. That's reality.
We released '1950,' and I felt so grateful for the response from the queer community as well as just musicians and people in the industry responding to it and validating the art I had made. It makes me feel super hopeful.
I finished 'Beautiful Creature,' and I felt somewhat unfulfilled. I felt like this other side of me needed to be released. Some of the songs I left off the album weren't intense enough to be what I wanted. They weren't hard enough.
When I was on the 'Knock Madness' tour, I was just thinking about life; I started questioning God. I was praying a lot. I was just really emotional. I was going through a break up situation as well. And I just felt like I needed to be home. I was over the rap thing. I just felt like I wasn't getting the respect and credit that I deserve.
I felt the exultancy of a man just released from slavery and ready to set the universe on fire.
When Carlisle released me, I felt as though the dream of being a footballer was over.
Back in the day as a kid, I was really drawn to the Hulk because it just felt so human and was probably one of the first stories that I felt emotionally invested in and not just thought it was really cool. You really feel for that person and put yourself in that situation.
Those situations were just taking over my entire life. It was fun to write in a way, because it helped me take a really bad situation and a really sad situation and make beautiful songs out of them. When I got half of the song written it was like, "Oh, this is great." It was like the one thing that was making me happy again.
Sometimes with my children, I remember exactly how I felt as the child in this situation, not just how it feels to be me.
Being on "SNL" was a goal that I had when I was younger. When I got fired, I just felt really mad and I felt really grossed out by the system and grossed out by myself and it just sort of knocked me on my ass.
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