A Quote by Desi Arnaz

The custom of my grandfather's day is still going strong in Latin America. American girls do not seem to understand it. — © Desi Arnaz
The custom of my grandfather's day is still going strong in Latin America. American girls do not seem to understand it.
The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
They didn't need to be specifically South American or Latin American. Instead we discovered we were talking about human beings in general. We realized that these are not issues only pertinent to Latin America: poverty, misery, consumerism, etc.
I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
Latin American Art is an operational term used to describe art actually made in the more than twenty countries that make up Latin America and that encompass Mexico, Central and South America, and the Caribbean.
If it is an element of liberation for Latin America, I believe that it should have demonstrated that. Until now, I have not been aware of any such demonstration. The IMF performs an entirely different function: precisely that of ensuring that capital based outside of Latin America controls all of Latin America.
The American influence is not so aggressive anymore. The American big business influence in Latin America is not as strong, so people can vote and they can have a different life than before. They can have more liberal, more interesting, and more democratic governments.
I'm a writer. In Latin America, they say I'm a Latin-American writer because I also write in Spanish and my books are translated, but I am an American citizen and my books are published here, so I'm also an American writer.
You gotta understand, my great-grandfather was German and Irish. My grandmother was Indian, and my grandfather was African-American, so we all got a little something in us.
I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.
Mexico City is the center of art and culture and politics and has been and continues to be for Latin America in a way that I think really called to me as an artistic person, as someone that was interested in the politics of Latin America, you know. God, every single famous person in Latin American history and art and politics seems to have found their way to Mexico City.
I'd love to do some collabs or music with Latin artists and in Latin America - we're working on it! I just really love Latin America and the language, culture, foods, people, and it's a place I grew up visiting pretty often.
I feel like people have stereotypes and notions about Latin America that aren't necessarily accurate or aren't particularly positive. For me, Latin America is a place that I personally really love and enjoy visiting and going to, and I wanted to be able to show it in a light that was very different to an Asian, Korean viewer.
My grandfather was the architect behind NAFTA, and that has created so much economic opportunity, not only in our country, but in Latin America.
The fascists in most Latin American countries tell the people that the reason their wages will not buy as much in the way of goods is because of Yankee imperialism. The fascists in Latin America learn to speak and act like natives.
I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America. This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
Things have changed in Latin America now. We mostly have democratic governments in Latin America, so the position of the writer has changed. It is not as Neruda used to say, that a Latin American writer walks around with the body of his people on his back. Now, we have citizens, we have public means of expression, political parties, congress, unions. So, the writer's position has changed, we now consider ourselves to be citizens - not spokespeople for everybody - but citizens that participate in the political and social process of the country.
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