A Quote by Desi Arnaz

One of my biggest problems with comedy was that I did not understand some of the jokes. — © Desi Arnaz
One of my biggest problems with comedy was that I did not understand some of the jokes.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
I've always tended to write comedy, but I'd hate to just write some kind of sitcom or a lighthearted series of jokes and slapstick. I wanted to talk about some deeper things within the comedy.
I like jokes, but Ray and I, we never did jokes. We weren't in that line of humor. We each contributed our own kind of observations. I'm glad to have people look at and laugh at and respect and get some creative juice out of what we did by observing.
Some comedians tell nice jokes that you can tell to your kids. Some use bad words - they work 'blue.' If you don't want to hear a joke that's blue, you shouldn't go to a comedy club where a comedian who makes blue jokes is performing.
All of comedy at some level is trial-and-error, whether it's a stand-up trying out jokes or a comedy show trying stories.
Why doesn't Apple stop for a year and make medical devices? When people talk about technology, that's where I start to get a little hot under the collar because I know that it's the key to solving some of the world's biggest problems. Having a faster, thinner telephone is not one of the world's biggest problems.
It's like love making, the foreplay is the biggest part, the same thing as comedy. If you can frame your show in such a way that the funny jokes become funnier.
Jokes are a lot about meaning. I think if we understand what jokes mean and why they work, we'd understand everything else. Genuinely I do.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
A good cartoon is always good on two or three levels: surface physical comedy, some intellectual stuff - like Warner Brothers cartoons' pop-culture jokes, gas-rationing jokes during the war - and then the overall character appeal.
None of my comedy depended on looks. I never did tons of fat jokes.
I did the commencement speech at UNH in 2006, and one of the biggest jokes was a 'Guts' joke.
I actually imagined 'Thunderbolts' as a straight-up comedy book in a lot of ways, like a very dark comedy book, whereas 'Red Lanterns' is more of a cosmic saga that has some jokes every once in a while.
I think 'Mean Girls' was a kind of significant movie. It was a very successful comedy, and it was also before 'Bridesmaids,' and it really launched some of today's biggest women in comedy.
When you have a cast and crew of people who make it light hearted and crack jokes, and break treats, and understand that we are all in this together. That's a biggest plus that you can have.
The best comedy to me - and again, I grew up with comedy since I was a baby, so I've seen it all - is when you exaggerate the truth, like Richard Pryor did, you understand?
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