A Quote by Desiderius Erasmus
It hardly needs explaining at length, I think, how much authority or beauty is added to style by the timely use of proverbs. In the first place who does not see what dignity they confer on style by their antiquity alone?... And so to interweave adages deftly and appropriately is to make the language as a whole glitter with sparkles from Antiquity, please us with the colours of the art of rhetoric, gleam with jewel-like words of wisdom, and charm us with titbits of wit and humour.
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Words borrowed of Antiquity do lend a kind of Majesty to style, and are not without their delight sometimes. For they have the authority of years, and out of their intermission do win to themselves a kind of grace-like newness. But the eldest of the present, and newest of the past Language, is the best.
Antiquity! thou wondrous charm, what art thou? that being nothing art everything? When thou wert, thou wert not antiquity - then thou wert nothing, but hadst a remoter antiquity, as thou calledst it, to look back to with blind veneration; thou thyself being to thyself flat, jejune, modern! What mystery lurks in this retroversion? or what half Januses are we, that cannot look forward with the same idolatry with which we for ever revert! The mighty future is as nothing, being everything! the past is everything, being nothing!
The nations of antiquity rolled away in the current of ages, Israel alone remained one indestructible edifice of gray antiquity... preserved by an internal and marvelous power.
Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years.
But the appeal to antiquity is both a treason and a heresy. It is a treason because it rejects the Divine voice of the Church at this hour, and a heresy because it denies that voice to be Divine. How can we know what antiquity was except through the Church? ... I may say in strict truth that the Church has no antiquity. It rests upon its own supernatural and perpetual consciousness. ... The only Divine evidence to us of what was primitive is the witness and voice of the Church at this hour.
I think I have a pugnacious style. My style is not pretty. I don't use words like "amber" or "opaque."
It is Leistikow's lasting achievement - and will always remain so - that he found a style that can express the melancholy charm of the surroundings of Berlin. We see the Grunewald lakes and those on the upper Spree through his eyes; he has taught us to see their beauty.
The game of chess is the most fascinating and intellectual pastime which the wisdom of antiquity has bequeathed to us.
I beg you, reject antiquity, tradition, faith, and authority! Let us begin anew by doubting everything we assume has been proven!
Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you've spoken or read or written a fine sentence. You can recognise a well-tuned phrase or an elegant style. But when you are applying the rules of grammar skilfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, to see it quite naked, in a way.
Avoid the profane novelty of words, St. Paul says (I Timothy 6:20) ... For if novelty is to be avoided, antiquity is to be held tight to; and if novelty is profane, antiquity is sacred.
Antiquity is full of the praises of another antiquity still more remote.
Photographs don't 'reveal' much at all but instead help us generate a kind of visual vocabulary that we can use to make sense of the world and direct our attention to certain things around us. In other words, they help us learn how to see.
Art is good, bad, boring, ugly, useful to us or not. It does or doesn't disturb optical monotony, and succeeds or fails in surmounting sterility of style or visual stereotype; it creates new beauty or it doesn't.
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