A Quote by Desiigner

Music always lived with me, like a family tradition. — © Desiigner
Music always lived with me, like a family tradition.
For someone like me who's lived in the same place her whole life - I mean, I lived three blocks from where I was born, and I met my future husband in the eighth grade - there are always family stories and legends passed down.
I married a woman who loves to camp, and I am what you would call "indoorsy"... My wife always brings up, "Camping's a tradition in my family." Hey, it was a tradition in everyone's family 'til we came up with the house.
When they talk about family values, it's in a repressive way, as if our American tradition were only the Puritan tradition or the 19th century oppressive tradition. The Christian tradition.
As for what I listen to after writing, it could be anything - but I've noticed that if the current book contains music from one tradition, it is music from another tradition that most relaxes me.
As I wrote 'The Christmas Lamp' I realized that tradition is priceless, whether you have a small family, a large family, or no family. Tradition doesn't have to be logical; it only has to emphasize the light of Christ and his everlasting love.
I have such a personal life history with R&B - it's the first music I remember hearing, and it feels like a family tradition.
The Western music tradition is mostly addressed to a public that has a critical mind, and judges the quality of the writing, of the interpretation. And I think it is a great tradition! It pushes the musicians to always go further, and to never stop pushing the limits and explore what can be done with sounds. And great pieces of art were born from that tradition.
When we lived in a society where we had large families that lived together, especially in agricultural societies like my grandfather and father grew up in, the result is you always had family around to take care of you.
When I was a kid, I always envisioned myself as performing, as being in that business. It was all that I knew, so it's kind of like I'm just following in the family tradition.
Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
I always told my family, to me interior design and how my house feels is like their music.
My family was always playing music; I always enjoyed it. My cousin, who is a little older than me, he started playing music, so I wanted to, also. I asked my dad for a guitar, and he got me a banjo, so that was my introduction to playing. I played it like a guitar. I had a few lessons, learned out a few chords, and figured it out right away.
Like my little sister and brother, I always play them my music because I want people like them to be able to relate to my music. They always know what's going on; they're up on what's new. For me, when they hear my music and they like it, I'm on the right track.
If... [Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.
I have always lived abroad, but inside my family, we always speak in Bosnian and preserve all the Bosnian traditions. So it's always inside me, always in my heart.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
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