A Quote by Desmond Dekker
I like to write songs about what's happening, what I see around me and what I hear. Everyday life. Someone may be talking to me and I may take it from that.
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I like to write songs about what's happening, what I see around me and what I hear.
I feel like Eurovision is a parallel dimension. It reminds me of 'Dance Fever' and 'Solid Gold' when I was a kid. Then when you hear these songs sung in English by someone who may or may not understand the words, the unique awesomeness hits you.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Though you may hear me holler, And you may see me cry-- I'll be dogged, sweet baby, If you gonna see me die.
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
I'm just talking in my songs about what's going on, what's exactly happening right now. If I was upset about something, I wrote a song. There's nothing I can't speak on. And everything I learned is from real-life experience, all first-hand: contracts, record companies, representation, everything. It's not from books: It's coming from the the heart. You can feel my pain, you can hear me turning my pain into a party. I'm not gonna let no one take the fun out of it.
I don't write about the same thing every time, everyday, different things are happening out there and if you take the time to look around, you can see that, then you can put it all together and tell the story.
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
Although I have guitars all around, and I pick them up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics, and I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.
Although I have guitars all around and I pick themm up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics amd I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
I feel like my songs are like diary entries for me. So I usually write about things that have happened to me specifically or sometimes it can be someone who's close to me.
This may sound a little West Texan to you, but I like it. When I'm talking about.. when I'm talking about myself, and when he's talking about myself, all of us are talking about me.
Flatter me, and I may not believe you. Criticize me, and I may not like you. Ignore me, and I may not forgive you. Encourage me, and I will not forget you. Love me and I may be forced to love you.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
When I play against someone that's new in the league, I make him respect me. They may have heard about me, but now you get to see me actually in front of you. That drives me.
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