A Quote by Desmond Harrington

It's a job and we're going to work together for six months, so let's have a good time. — © Desmond Harrington
It's a job and we're going to work together for six months, so let's have a good time.
The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
I was going to visit IBM for six months as a visiting scientist. Now, six months is a lot of time, so I came with a whole list of projects that I might want to work on.
The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!
I didn't want to do two years in the regular army, my music career was just getting started. So, I joined the Guard where, after going to weekend meetings, you'd do six months of active duty, with three months of basic training and three months of on-the-job training.
Everyone gets laid off and everyone in Hollywood gets unemployment for six months while they're looking for a new job. So I would just do stand-up for six months and think I was really making it, and when my unemployment ran out, I had to get another job immediately.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
Eight years of work can be copied in six months. It wasn't inevitable that it was going to work. A stolen design is stolen time.
The good thing about being an actress is that it's very children-friendly. I can work for three months, and then I can have six months off.
It's a job. When I'm writing I'm going to do it five to six days a week and I'm going to work for four to six hours a day. There's no magic writing fairy. It's just hard work.
I was once being interviewed by Barbara Walters. In between two of the segments she asked me: "But what would you do if the doctor gave you only six months to live?" I said, "Type faster." This was widely quoted, but the "six months" was changed to "six minutes," which bothered me. It's "six months."
I had a stormy graduate career, where every week we would have a shouting match. I kept doing deals where I would say, 'Okay, let me do neural nets for another six months, and I will prove to you they work.' At the end of the six months, I would say, 'Yeah, but I am almost there. Give me another six months.'
If I focus solely on developing new material, then I can get a new 45 minute to an hour in about six months. Then I'll work on it and work on it and can make it killer within another six months or so.
No-one wants to finish a job badly. If you know that you are going to finish your job in six months, then you want to finish well.
I get energized around a plan - what's it going to be like in three months? Six months? You're not going to let it defeat you. You got to keep going.
And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.
Perhaps women are lied to more often because managers think they're not going to push back. If you're told, "We don't have the budget right now" and have no access to the budget to prove otherwise, there's not much you can do, but there's no reason why you can't ask if you can reassess in six months. Then, spend those six months chronicling every good thing you do so you return with a stack of data that proves you need that raise.
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