A Quote by Desmond Morris

We read off the many signals that our companions' clothes transmit to us in every social encounter. In this way, clothing is as much a part of human body language as gestures, facial expressions and postures.Even those people who insist that they despise attention to clothing, and dress as casually as possible, are making quite specific comments on their social roles and their attitudes towards the culture in which they live.
What children don't understand, and can't understand until they grow up some, is how much the whole fabric and process of human society depends on everybody agreeing to ignore, most of the time, the fact that all of us are, most of the time, inadequate, incompetent, pitiful, and, in fact, naked to our enemies. None of us really has very much in the way of spiritual, moral clothing. We dress ourselves in rags. And we agree to say nothing about it. To a very large extent, it is human charity that clothes us.
We're not just social animals in the conventional way that people think. It's not just a bunch of us who hang out together. We have a very specific pattern of ties, and they have a particular shape and structure that is encoded in our genes. It means that human beings have evolved to live their lives embedded in social networks.
In silent films, quite complex plots are built around action, setting, and the actors' gestures and facial expressions, with a very few storyboards to nail down specific plot points.
In silent films, quite complex plots are built around action, setting, and the actors gestures and facial expressions, with a very few storyboards to nail down specific plot points.
Those social behaviors which automatically preclude the building of a democratic world must go - every social limitation of human beings in terms of heredity, whether it be of race, or sex, or class. Every social institution which teaches human beings to cringe to those above and step on those below must be replaced by institutions which teach people to look each other straight in the face.
Here's an easy one: "Race is an entirely social construct." No, it's partially one, depending on how any given society seeks to define it and its implications. But there are basic things such as skin color and hair texture. Even a Martian who'd had no exposure to human "social constructs" would be able to spot those differences. But no Martian, as hard as he tried, could point at a "culture" or to "equality." Those are the social constructs. Those can't be measured in the same way as human DNA.
When you are in a live-action movie, you have so many more options to express yourself. You can use your body and your gestures and facial expressions. When you are doing an animated movie, you really only have your voice.
Sign is a live, contemporaneous, visual-gestural language and consists of hand shapes, hand positioning, facial expressions, and body movements. Simply put, it is for me the most beautiful, immediate, and expressive of languages, because it incorporates the entire human body.
I'm not, like, an English speaker, so I have confidence in my wrestling skills, also, like, body language, hand gestures, facial expressions. I put all of my emotion in my wrestling.
The reason why I started the clothing line Licious is because I had trouble finding clothes for my body type. I figured if I'm having trouble finding clothes for me, being curvy, I know girls with my body type are probably facing the same issue. And so with the help of my designer, I came up with the idea of creating my own clothing line.
Mom & pop stores are not about something small; they are about something big. Ninety percent of all U.S. businesses are family owned or controlled. They are important not only for the food, drink, clothing, and tools they sell us, but also for providing us with intellectual stimulation, social interaction, and connection to our communities. We must have mom & pop stores because we are social animals. We crave to be part of the marketplace.
For example, I wear clothes I buy at trendy shops because I don't care much about clothing. If someone wants to create a trend around clothing, I'll happily and blindly follow.
There is something myopic and stunted in focussing only on the meaning of words and sentences. And this myopia is especially unfortunate when combined with a rather abstract view of a language as a set of elements and rules for combining these. For the result is to divorce enquiry into meaning from attention to the way words - and gestures, facial expressions, rituals and so on - are embedded in practices, in what Wittgenstein called 'the stream of life'.
Costume designers don't care about trends. They appreciate, above so many other qualities, that tailoring is everything, which is a mantra for the way I dress. Ladies: The most important thing in clothing is to find a good, inexpensive tailor, because clothes at the stores are made for bodies that are anomalies.
I've got a clothing sponsor that helps me out with my clothes. It's called Bulky Boy Clothing, and they pretty much provide me with most of the shirts that I wear.
When making documentaries, the most important thing I learned was to listen, observe gestures and facial expressions.
This site uses cookies to ensure you get the best experience. More info...
Got it!