A Quote by Dev Hynes

I'm pretty strict with videos, at least the imagery stuff. — © Dev Hynes
I'm pretty strict with videos, at least the imagery stuff.
Use photos and videos often. The best startups post lots of imagery and videos. The worst ones? Text only.
Oh My God, the [hip-hop] videos! The imagery is so awful! I just can't get with it at all. The best thing I can say about it is that sometimes you have to see that kind of stuff so as to have a more balanced view about why it's so bad.
Since strict obedience is demanded and harshly enforced, only the least talented, least articulate, least nuanced thinkers, least likely to take a stand against abuse, and the least courageous people thrive in the Church today.
The way I was parented did affect my parenting - probably in the reverse. My dad was pretty strict, and the next generation probably wants to be less strict.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
Yes, actually I was pretty amazed by the amount of stuff my parents put up with while I was living in their house. They had experienced all that before with older brothers and sisters, so it was fairly strict. The fear-of-God thing was pretty set and I blindly followed it until I reached a certain age. Then I just began questioning my belief system.
I have always kept my personal relationships pretty private, whether it's intimate or my family or friends - at least in videos. It's always been something that I've sworn off from sharing online.
I was doing YouTube before YouTube was a thing. I was making videos on my camcorder for my friends. I would do parodies of Britney Spears videos and stuff like that.
My dad was pretty strict. We didn't even get to watch any of his movies until I was, like, 17 years old. I didn't even see his stand-up, really, until I started doing stand-up, and that was when I was 22. So he's pretty strict. We had curfews until I was 17... he didn't play around.
Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.
I enjoy doing these silly little videos, and a lot of stuff online is stuff I actually created for my live comedy shows.
I went to a strict elementary school with nuns, and uniforms that I'm pretty sure were made out of sandpaper. It was an academic, sports-oriented place. I liked to read, and wanted to act, and didn't try out for volleyball. I was weird. The other girls would dip my hair in ink and stuff.
We started recording videos around our house, like, doing dumb stuff. Going four-wheeling or whatever. Then we found out about YouTube and fell in love with it and started uploading our videos.
I really wanted to be able to make the music that acknowledged the metaphysical aspect of extreme sports because when I started watching GoPro videos, the thing that struck me the most was that the sound seemed completely detached from the imagery.
Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.
It's a video world now, you know? It's not a musical world. It's a video world. I can watch videos. I see videos, you know, Britney Spears, she's sexy. I like to watch her videos. It's not like the music is what I'm hearing. It's different now. But it's not my world. It's the world of young people and they have what they want and they have what the technology and the society produces as a result of all these advancements that have occurred. And the in the future we'll have something else. Maybe we'll have holograms and, you know, all kinds of stuff.
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