A Quote by Dev Hynes
When I was recording music, I'd record all the parts myself, and I wouldn't let other people in; that's essentially what Blood Orange is the result of; me trying to find the most comfortable I can be with everything.
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I used to not really know any other people when I was young that wanted to play music - that's why I learned everything myself. As a result, you kind of naturally become an engineer of sorts, because you've got to learn how to record everything.
I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
I was more comfortable with guys growing up, but now I find myself more comfortable in my own skin and open to people, regardless of their gender or popularity or any other label, as a result.
I'm a big fan of shock value humour and I find myself being most comfortable when I make other people uncomfortable. Is that sick of me? I really like it.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
I'm essentially the result of other people's imagination. And that's fine. Because of other people's imagination, I've played parts I would never have thought I could do. Still, I've never had a hankering or an ambition for any particular role.
I wasn't truly comfortable with myself until I was about 30. I spent so much time and energy wondering if I wasn't worthy, and trying to find people to validate me, instead of validating myself.
I find myself listening to Blood Orange and Janelle Monae and artists like that.
That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.
I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.
When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.
I think it's great that people now have access to Pro Tools and other recording software at home. I've never understood how anyone could be comfortable in a recording studio
It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
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