A Quote by Devendra Banhart

Basho is the great poet of Japan, writing in the second half of the 17th century, but his work is still incredibly fresh. — © Devendra Banhart
Basho is the great poet of Japan, writing in the second half of the 17th century, but his work is still incredibly fresh.
Geoffrey Hill may be the strongest and most original English poet of the second half of our fading century, although his work is by no means either easy or very popular. Dense, intricate, exceedingly compact, his poetry has always had great visionary force.
I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.
A good rapper is an amazing thing to me. It's like a 17th-, 18th-century poet.
'The Narrow Road to the Deep North' is one of the most famous books of all Japanese literature, written by the great poet Basho in 1689.
For a century and a half now, America and Japan have formed one of the great and enduring alliances of modern times.
The great thing about James Baldwin and his writing is that it's still fresh every time you pick it up. That's also the sad thing about his writing sometimes, too.
Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.
I still believe nonfiction is the most important literature to come out of the second half of the 20th century.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
As his talent expands, some of his stories become pointed social commentary; some are surprisingly effective religious tracts, disguised as science fiction. Others still are nostalgic vignettes, but under it all is still Bradbury, the poet of 20th-century neurosis.
Ko Un is a crucial poet for the twenty-first century, and this is an enormously fresh and vivid translation.
The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example.
After a half-century of hard work and reflection the wall is still there.
If he had had no education, maybe Basho could have been a much greater poet.
In the Christian world, as you remember, Christianity is in the 21st century, Islam is in the 15th century. I don't mean to say that Islam is backward; I mean to say that there are certain experiences that it hasn't gone through. Christianity had the great religious wars of the 17th century. Islam, fortunately for the Muslims, did not have that. Christianity worked out a system of toleration. Islam was always more tolerant of Christendom.
I really still enjoy Japan. I love going to New Japan. It's great.
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