A Quote by Devendra Banhart
In the past, I had this open-door policy where everyone was invited. And that was awesome, but you end up releasing songs that you don't really like and justifying it in your head.
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I like to be on most of my songs. I think being on your songs makes it all the more special in a way. Especially for me, just knowing that I'm releasing something that I was really a part of and dug in the dirt with.
We [the band] had this open door policy - if you walked in the door, you were asked to play
The No. 1 question I get is, "Do you believe in an open-borders policy?" I'm like, wait a second: What does that really mean? When you say open-borders policy, do you mean that - this is like the US-Mexico border? We put up a sign that says "Keep Out," then 10 yards in we say, "Job Wanted." Is that what people mean by open borders? So that usually shuts people up. But that's the truth.
Any true wizard, faced with a sign like 'Do not open this door. Really. We mean it. We're not kidding. Opening this door will mean the end of the universe,' would automatically open the door in order to see what all the fuss is about. This made signs rather a waste of time, but at least it meant that when you handed what was left of the wizard to his grieving relatives you could say, as they grasped the jar, 'We told him not to."
I think there's thousands of good songs in the world - the songs that we can all sing along to, songs that are just so catchy they end up being in your head. But I think a great song is something that emotionally engages with you and connects with you.
In the early days of the Internet, the word "navigation" had this ingrained in it. There really was a sensation of the cyber-flâneur, as you really would have no idea where you would end up. You would end up on pages that had nothing to do with what you wanted, experiences that were totally unanticipated. You had to connect the dots, connect the parcels of your experience. It was totally open to randomness.
Becoming baseball analyst was really important for me to not just be one of the first, but to literally break open the door and come in and stay, so that we could start inviting our friends and everyone, like, Come on. The door is open now. I am so proud of the fact that I put that pressure on myself: Alright, Jess, you've got a lot of women on your back right now and it's on you, so don't screw it up. I put that pressure on myself on purpose, so I'd realize it's not just about me, it's about a whole gender.
There's songs you listen to at really heavy times, and you associate those songs with being depressed. 'English Rose' by The Jam, I can't listen to - it's just too heavy for me. 'Julia' by The Beatles, too. That popped up the other day, and I had to skip to the next song. They're both really awesome, moving songs, but I can't listen to them.
I think I was just a strange kid. I was definitely a weirdo. I ran a newspaper that had really dark stories all the time. My mom was always fun, she had this large box of costumes and I remember dressing up as a door-to-door saleswoman with a wig and this small suitcase I was using as a briefcase. I was walking down the street like that; I was sure I was fooling everyone.
I flung open the door. I got a momentary flash of about a hundred and fifteen cats of all sizes and colours scrapping in the middle of the room, and then they all shot past me with a rush and out of the front door; and all that was left of the mobscene was the head of a whacking big fish, lying on the carpet and staring up at me in a rather austere sort of way, as if it wanted a written explanation and apology.
I think we're definitely playing up to characters. We see ourselves as a pop band. I don't have a pseudonym because I don't really need one, because I've got a weird name, but everyone has a stage name, and it's about a certain amount of escapism, really. The songs are inspired by the personal, but because there are seven of us that work on the songs together, they end up becoming Pipettes songs, rather than about any one individual.
I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.
As a fiction writer, that's been a preoccupation of mine: Can you really just close the door and leave the past back there behind you, or is the door going to blow open at some point?
If you believe in chakras - head and heart - I think singing opens them up, like a wide open door.
When people keep repeating
That you'll never fall in love
When everybody keeps retreating
But you can't seem to get enough
Let my love open the door
Let my love open the door
Let my love open the door
To your heart.
I grew up where, when a door closed, a window didn't open. The only thing I had was cracks. I'd do everything to get through those cracks - scratch, claw, bite, push, bleed. Now the opportunity is here. The door is wide open, and it's as big as a garage.
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