A Quote by Devendra Banhart

In the next life what would my career be? Oh, easy. Dried persimmon dealer. — © Devendra Banhart
In the next life what would my career be? Oh, easy. Dried persimmon dealer.
Dried fruit is a huge part of my diet. Mango, persimmon, banana.
There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.
People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.
The next morning I woke up at oh eight oh oh hours, my brothers, and as I still felt shagged and fagged and fashed and bashed and my glazzies were stuck together real horrorshow with sleepglue, I thought I would not go to school.
At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'
I think the way I do things would be difficult to teach somebody to do. They need to get another good used car dealer. That's what they need. Find a good car dealer.
I know that I've definitely found what I should be doing with my life. In my life, as far as my career goes, I always felt, as an actor, that it was something that would just be a temporary thing that would get me to what I wanted to do next. That's what my acting did. I really feel that I'm a much better director than I was an actor.
Maybe in my personal life, but as far as my career, I've been offered some humongous things in my career and didn't take them. I look back and think, oh man, well I'd have been well off monetarily wise, but artistic wise I don't know. I'd have to say, personally, in my personal life, yeah, but in my musical life, on twenty-twenty hindsight I would say just take the good with the bad.
I'm a dealer. That's exactly right. I'm a used car dealer.
I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer's block, oh, I have to wait for my muse. I don't. Chain that muse to your desk and get the job done.
People always tell me the next stage of my career means moving to New York, but I never will. I don't care how that affects my career, and I think it's stupid that it would.
My first official consulting job, therefore, was for a scrap metal dealer (he resented the term "junk dealer") in East Edmonton named Benny Sugarman.
I've been trying to give as much attention and focus to my life as well as my career. It's hard because the career is money, but putting that before day-to-day needs isn't something that can last indefinitely. I'm excited to begin the next chapter of my life with an amazing woman.
The so-called "secondary market" has also always been something that I'm comfortable with. I'm not a dealer who turns his nose up at that part of the business. I'm an art dealer - my primary responsibility is to represent the artist.
Whether we are New Dealer, Old Dealer, Liberty Leaguer or Red, whether we agree or not, we still have the right to think and speak how we feel.
With the amount of flops that I have seen in my career, one would think that my career would have been over long back. But it has sustained. And I truly believe it did because I lived life on my own terms.
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