A Quote by Devin Booker

I think Phoenix is a place where people see the potential. They see the young core that we have. They see the fan base, the wonderful city. — © Devin Booker
I think Phoenix is a place where people see the potential. They see the young core that we have. They see the fan base, the wonderful city.
I think living in Baltimore and being a part of the community and trying to be part of as many communities as possible within the city, the best thing that anyone can do in Baltimore is just to be a part of it and contribute to it and to not see it as...A lot of people from outside the city see this city for its blight and I feel like people who live within the city do the opposite and see this city for what defines it as, in my mind, the most beautiful place to live.
?aving such a huge fan base, it's hard to see that and be motivated when you have so many people who support you and want to see you perform.
It's really exhilarating and exciting to be able to meet your fan base and see them in person and see the lengths that they're willing to go to.
It's really exhilarating and exciting to be able to meet your fan base and see them in person, and see the lengths that they're willing to go to.
I'm so honored that there are people, peers, that I'm inspired by and looked up to for years and actually want me to do my thing with them. It's quite the honor, and it's been wonderful to see everybody's fan base kind of melting together.
I see trees of green, red roses too. I see them bloom for me and you. And I think to myself what a wonderful world. I see skies of blue and clouds of white. The bright blessed day, the dark sacred night. And I think to myself what a wonderful world
If I see someone I see the ghost of them, the air around them, and where they’ve been. If I see a city I see it’s living ghostliness—the stray looks, the dying hands. I see it’s needs and its discomforts locked in apartments.
New York! I've always wanted to see it and now I've see it. It's true what they say-- it's the most wonderful city in the world.
The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
Downtown Cairo is at the center of the city, it is a place that has to be shared between different classes. It's a place where you see the bigger picture of the city's social fabric. It's also a place where you see all the contradictions of having all these layers, classes, and differences at the same time. And this is also where they clash, and where they negotiate. They negotiate their demands, their tastes, the lifestyles they want to have. So it's a very interesting space. I think that Downtown has maintained that identity before, during, and after the revolution.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
Rich people see opportunities. Poor people see obstacles. Rich people see potential growth. Poor people see potential loss. Rich people focus on rewards. Poor focus on the risks.
There's an enormous amount of obliviousness: a desire among young gentrifiers to see only the city they want to see.
A solid base for any comedy is just honesty and truth, and it coming from a real place. As surreal as this show gets and is, ultimately, we're dealing with a character that most can't see the way that I can see it.
When I walk through the city, I just think that I see my family. I see us in everybody, you know? I see us.
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